Roland Aira MX 1 Mix Performer midi mixer

Roland Aira MX 1 Mix Performer midi mixer

18-CHANNEL PERFORMANCE MIXER WITH STEP-SEQUENCED FX, TRANSPORT, AND TEMPO CONTROL

The MX-1 Mix Performer brings together your synths, drum machines, loops, DAW tracks, and more into a single performance-optimized mixing instrument. Combining elements of a mixer, control surface, audio interface, and step-based effector, the MX-1 is designed to be the nerve center of your electronic music rig. It’s a mixer you can play – and so much more.

18 channel performance mixer with step-sequenced FX, transport, and tempo control
Three kinds of step-sequenced Beat FX (Filter, Side Chain, Slicer) with TR-style buttons
Six kinds of Master FX (48 variations) with large performance control knob
Beat FX and Master FX can be applied to any or all inputs; Beat FX are per channel
Combi mode rhythmically alternates the Master FX using the step-sequencer
Four AIRA Link USB ports support audio, MIDI, sync, and bus power (on Port 3) for AIRA gear
Mix mode provides six analog, one digital (stereo), four AIRA (stereo) , and two PC channels through mixer and FX
External mode provides 18 channels from DAW through mixer and FX (all inputs direct to DAW)
Control Surface mode for full DAW control via MIDI
DJ-style cue monitoring, quick mutes, and six fader curves per channel
Per-channel Tone/Filter knob with ten kinds of EQs, filters, and isolators
Transport and tempo control with fine, shuffle, and tap-tempo functions
Instantly save and recall complete setups including all FX configurations

Mix it up

With six analog inputs, four AIRA Link USB ports, digital I/O, send and return jacks, and the ability to stream 18 channels to and from your DAW, the MX-1 brings together a wide range of musical sources and puts them directly under your fingertips. But this is no ordinary mixer. The smooth, solid faders each have six different volume curves available. Every channel has an adjustable Tone/Filter knob with ten types of filters, EQs, and isolators. Mutes are placed for quick access, working with the LED-lit faders to clearly show their status, even in dark environments. The DJ-style headphone cue monitoring lets you smoothly mix in any source whenever you’re ready, or drop in tracks right on the beat. Separate headphone and master volume knobs along with smooth and bright metering keep levels firmly in check. And everything, including all the FX configurations and settings, can be saved and recalled for instant access.

Dramatic. Rhythmic. Get the desired effect.

There’s no question that effects play a huge role in creating a unique vibe and defining your sound. And the MX-1 integrates effects in exciting new ways. Not only do the MX-1’s effects sound great, they’re designed for ready manipulation and rhythmic sensibility, thanks to the MX-1’s tempo awareness and the TR-style step interface. In addition to an aux send for feeding external effects, each channel has its own Beat FX including Filter, Side Chain, and Slicer. These are applied using sixteen TR-style step sequencer buttons like those found on famous Roland drum machines. This lets you independently filter, duck, and slice each channel, creating cool rhythmic variations, polyrhythms, and all manner of intricate grooves. Beat FX can be instantly switched on and off per channel with dedicated, illuminated buttons. Six kinds of Master FX, each with lots of variations, add spice and drama to any or all channels. And the large control knob gives them supreme playability. The Master FX can even be step-sequenced in various combinations, creating stunning movement and glitchy interludes that must be heard to be fully appreciated.

Loves computers. But enjoys its alone time

Computers already play a big role in production, and they increasingly play a role in performance. But they don’t always integrate so well with other live instruments, and require their own audio interface and controller. The MX-1 addresses these problems through its ability to operate in any one of three different modes. In Control Surface mode, the MX-1 can sync to your computer and act as a high-quality MIDI controller for your DAW. Cool. But it gets way more interesting… In Mixer mode, the MX-1 can mix all connected sources, including analog and digital inputs, AIRA gear, and your computer’s output. While there’s a dedicated channel for a stereo output from your computer, you can also send computer audio to USB channels 1 thru 4 if no device is connected to the AIRA Link USB ports. Very cool. In External mode, the MX-1 can send all its inputs directly to your DAW, acting as a high-quality audio interface. At the same time, it can mix 18 channels back from your DAW, putting them on the MX-1’s faders. This lets you utilize the recording, clip triggering, effects, and mixing functions of your DAW along with the MX-1’s cue monitoring, sync, and performance-optimized mixing and effects capabilities. It’s mind-bending stuff. Just take a moment to imagine the possibilities. While the MX-1 obviously makes working with a computer way more fun, it’s just as happy on its own. So whether it’s full hands-on control of your DAW or completely out-of-the-box production and performance, the MX-1 is right at home.

Get connected. Link in and sync up

The MX-1 is so much fun to play that you’re bound to want to plug all kinds of things into it. Four individual 1/4-inch jacks support just about any kind of instrument, and the stereo 1/8-inch jack is perfect for smartphones, tablets, and various gadgets. There are also four AIRA Link USB ports that make connecting your AIRA gear literally plug and play. With fully automatic detection, AIRA Link USB ports transmit audio, MIDI, and sync over a single USB cable. One of the ports can even provide bus power for a compatible AIRA device like the TB-3 Touch Bassline or VT-3 Voice Transformer. AIRA Link reduces cable clutter and makes setup fast and simple. The MX-1 is also fully time aware and gives you hands-on control of start, stop, tempo, and timing. Sync an array of musical devices over MIDI or AIRA Link. Control everything with the brightly lit TR-style start/stop button and large tempo knob with fine adjustment, shuffle control, and tap function.

The mixer. Reimagined as an instrument

While the MX-1 is sturdily built, highly flexible, and extremely capable, all this mixing and effect control would be nothing if it were confusing or cumbersome to use. But the way mixing and effects are so cleverly and thoughtfully implemented in the MX-1, everything is fast, immediate, and intuitive. Most of all, it’s musical, and designed to be played. Like all AIRA gear, there are no confusing menus or layered functions to slow you down.

Tempo40-300Scene Memory16 x 4 (Bank A, B)BEAT FXFILTER: 5 types
SIDE CHAIN: 5 types
SLICER: 5 typesMASTER FXDELAY: 8 types
FILTER: 8 types
SCATTER: 8 types
FLANGER: 8 types
BIT CRUSH: 8 types
ROLL: 8 typesMASTERING10 typesNumber of USB Audio Max Input/Output ChannelsSampling frequency: 96 kHz, 48 kHz, 44.1 kHz
Input: 18 channels
Output: 18 channelsSignal ProcessingPC interface: 24 bits
AD/DA conversion: 24 bitsSampling FrequencyAD/DA conversion: 96, 48, 44.1 kHz
DIGITAL (IN, OUT): 96, 48, 44.1 kHzNominal Input Level (variable)Input 1–4: -26– +4 dBu
Input 5/6: -26– +4 dBuNominal Output LevelMIX OUT: +4 dBuHead Room18 dBInput ImpedanceInput 1–4: 100 k ohms
Input 5/6: 100 k ohmsOutput ImpedanceMIX OUT: 1 k ohm
PHONES: 24 ohmsFrequency Response96.0 kHz: 20 Hz–40 kHz (+0/-2 dB)
48.0 kHz: 20 Hz–22 kHz (+0/-2 dB)
44.1 kHz: 20 Hz–20 kHz (+0/-2 dB)Dynamic RangeAD block INPUT 1–4: 100 dB typ.
AD block INPUT 5/6: 100 dB typ.
DA block MIX OUT: 108 dB typ.ConnectorsPHONES jack: 1/4-inch stereo phone type
MIX OUT (L/MONO, R) jacks: 1/4-inch phone type (unbalance)

INPUT 1–4 (L/MONO, R/MONO) jacks: 1/4-inch phone type (unbalance)
INPUT 5/6 jack: Stereo miniature phone type

AUX RETURN (L, R) jacks: RCA phono type
AUX SEND (L, R) jacks: RCA phono type

USB FUNCTION Port: USB type B (Audio, Midi)
USB HOST 1–4 ports: USB type A (Audio, Midi, for only TB-3/VT-3/TR-8/SYSTEM-1)
USB HOST 3 port can supply USB Bus power

COAXIAL IN/OUT jack

MIDI (IN, OUT) connectors

DC IN jackInterfaceHi-Speed USB
Digital input, output: Coaxial type (conforms to IEC60958)
MIDI IN/OUTPower SupplyAC adaptorCurrent Draw1.7 A
AccessoriesOwner's manual
Leaflet "USING THE UNIT SAFELY"
AC adaptor
Ableton Live Lite Serial Number Card
SIZE AND WEIGHTWidth400 mm
15-3/4 inchesDepth264 mm
10-7/16 inchesHeight65 mm
2-9/16 inchesWeight1.81 kg
3 lbs. 16 oz.* 0 dBu = 0.775 Vrms

Audio Technica ATH PRO700 MK2 pro dj headphones

Audio Technica ATH-PRO700MK2 Professional DJ Headphones Key Features:

Clear, well-defined trebles, rich bass response
53 mm drivers designed exclusively for PRO700MK2
50°/90° earpiece swiveling capability provides a perfect fit for every monitoring application
Lightweight design for maximum comfort during extended use
Includes two detachable cords (one coiled, one straight)

Surround your senses with Audio-Technica’s sophisticated technology and superior components of the ATH-PRO700MK2 headphones. Experience the clear, well-defined trebles, and rich bass response. The 50°/90° earpiece swiveling capability provides a perfect fit for every monitoring application.

Specifications

TYPE: Closed-back Dynamic
DRIVER DIAMETER: 53 mm
FREQUENCY RESPONSE: 5 - 35,000 Hz
MAXIMUM INPUT POWER: 3,500 mW
SENSITIVITY: 106 dB/mW
IMPEDANCE: 38 ohms
WEIGHT: 305 g
CONNECTOR: 3.5 mm mini-stereo, gold-plated
ACCESSORY INCLUDED: Screw-on 1/4" (6.3 mm) adapter, detachable 1.2 m coiled cable (max. 3.0m), detachable 1.2 m straight cable, carrying pouch

Pioneer S DJ80X 8-inch active reference monitor speakers

Pioneer S DJ80X 8-inch active reference monitor speakers

The S-DJ80X active reference speakers are designed for great audio feedback while practicing DJing skills. The speakers feature excellent sound quality, improved bass response and reliability, three types of inputs, and built-in equalization, useful for DJs who want to achieve the highest accuracy in sound reproduction. Each speaker is sold separately.

AUDIO QUALITY
For maximum audio performance, increased bass output and reduced unwanted resonance, each speaker utilizes a highly rigid medium density fibre-board (MDF) for the construction of its enclosure and bass reflex ducts. Additionally, to optimize sound quality and increase reliability, Pioneer uses woofers made with aramid fibre cones and soft dome tweeters infused in magnetic fluid.

Groove Technology: To improve airflow through the port of the enclosure, Pioneer engineered the port hole with grooves to help direct the sound waves smoothly. The technique decreases standing waves from the mouth of the port, resulting in smooth bass and mid-bass output, with more impact.

Convex Diffuser: Matching the bass output of the speakers, the soft dome tweeters are set in the center of a convex diffuser optimizing output and dispersing the sound energy in both left and right directions for wider imaging. The blue area below shows the normal spread of sound, and the orange area displays the enhanced spread of sound with the diffuser. For a cool cosmetic look, the diffuser also illuminates in white when the speakers are powered on.

Class AB bi-amp: Driving the speakers is a highly efficient Class AB amplifier in a bi-amp configuration to power the tweeters and woofers separately.

EQ Controls: The speakers also enable users to adjust high-pass level output via the built-in equalizer from the back of the speaker. The equalizer adjusts the high frequency range in one decibel increments (-2dB to +1dB), tailoring the audio output to the user's listening preference.

INPUTS AND EXTRAS
The S-DJ80X model features three types of inputs (XLR, TRS and RCA) for connection to different devices such as DJ equipment, computers, and portable devices. For convenience and power conservation, the speakers also include an Auto Standby mode that automatically turns itself off when there is no input signal sensed after 25 minutes and powers back on when signal input is detected.

Specifications
Width
276 mm
Height
401 mm
Depth
315 mm
Weight
11.8 kg
Auto Standby
Yes
Impedance
10 kΩ
Maximum Sound Pressure
115 dB
HF Level Adjust
-2 dB/ -1 dB/ 0 dB/ +1 dB
Amplifier Output
Class AB Bi-amp: 160 W
HF: 35 W (20 W)
LF: 125 W (70 W)
Power Consumption
160 W
Frequency Range
40 - 20,000 Hz
Main Features
Type
Bi-amp, 2-way bass reflex, active monitor speakers
Tweeter
2.5 cm Soft Dome
Woofer
21 cm Aramid Fiber
Included Accessories
Power cord
User manual
Terminals
Inputs
1 RCA (unbalanced)
1 TRS (1/4 inch Jack)
1 XLR (balanced)

Pioneer S DJ50X 5-inch active reference monitor speakers

Pioneer S DJ50X 5-inch active reference monitor speakers

The S-DJ50X active reference speakers are designed for great audio feedback while practicing DJing skills. The speakers which are also offered in white (S-DJ50X-W) feature excellent sound quality, improved bass response and reliability, three types of inputs, and built-in equalization, useful for DJs who want to achieve the highest accuracy in sound reproduction. Each speaker sold separately.

AUDIO QUALITY
For maximum audio performance, increased bass output and reduced unwanted resonance, each speaker utilizes a highly rigid medium density fibre-board (MDF) for the construction of its enclosure and bass reflex ducts. Additionally, to optimize sound quality and increase reliability, Pioneer uses woofers made with aramid fibre cones and soft dome tweeters infused in magnetic fluid.

Groove Technology: To improve airflow through the port of the enclosure, Pioneer engineered the port hole with grooves to help direct the sound waves smoothly. The technique decreases standing waves from the mouth of the port, resulting in smooth bass and mid-bass output, with more impact.

Convex Diffuser: Matching the bass output of the speakers, the soft dome tweeters are set in the center of a convex diffuser optimizing output and dispersing the sound energy in both left and right directions for wider imaging. The blue area below shows the normal spread of sound, and the orange area displays the enhanced spread of sound with the diffuser. For a cool cosmetic look, the diffuser also illuminates in white when the speakers are powered on.

Class AB bi-amp: Driving the speakers is a highly efficient Class AB amplifier in a bi-amp configuration to power the tweeters and woofers separately.

EQ Controls: The speakers also enable users to adjust high-pass level output via the built-in equalizer from the back of the speaker. The equalizer adjusts the high frequency range in one decibel increments (-2dB to +1dB), tailoring the audio output to the user's listening preference.

INPUTS AND EXTRAS
The S-DJ50X model features three types of inputs (XLR, TRS and RCA) for connection to different devices such as DJ equipment, computers, and portable devices. For convenience and power conservation, the speakers also include an Auto Standby mode that automatically turns itself off when there is no input signal sensed after 25 minutes and powers back on when signal input is detected.

Specifications
Width
197 mm
Height
301 mm
Depth
262 mm
Weight
6.5 kg
Auto Standby
Yes
Impedance
10 kΩ
Maximum Sound Pressure
107 dB
HF Level Adjust
-2 dB/ -1 dB/ 0 dB/ +1 dB
Amplifier Output
Class AB Bi-amp: 80 W
HF: 26 W (15 W)
LF: 54 W (30 W)
Power Consumption
100 W
Frequency Range
50 - 20,000 Hz
Main Features
Type
Bi-amp, 2-way bass reflex, active monitor speakers
Tweeter
2.5 cm Soft Dome
Woofer
13 cm Aramid Fiber
Included Accessories
Power cord
User manual
Terminals
Inputs
1 RCA (unbalanced)
1 TRS (1/4 inch Jack)
1 XLR (balanced)

Pioneer HDJ 2000 MK2 High-end, pro-DJ monitoring headphones

Pioneer HDJ 2000 MK2 High-end, pro-DJ monitoring headphones

PERFECT FOR THE BOOTH.
The HDJ-2000MK2 professional monitoring headphones inherit all the best from their predecessor - the HDJ-2000 - and build on the legacy.

These headphones don't only ensure superb clarity with clear sound separation, from deep bass to crisp trebles. Even better, they adopt low-volume air chambers and air-tight stitching to improve sound insulation and deliver the pristine sound needed for monitoring in the loudest clubs.

KEY FEATURES
SOLID BUILD TO WITHSTAND THE RIGOURS OF PROFESSIONAL USE
An L-type mini-jack stops the headphones getting knocked or disconnected during performance, even in cramped booths. At the headphone end, a detachable mini-XLR connector means cables can easily be removed for transit or replaced if damaged.

SOUND ISOLATION
You no longer need to crank up the volume in loud clubs, thanks to the ear pads’ damper and airtight stitching. On top of that, the innovative, low-volume air chambers provide maximum insulation by reducing external noise in the mid to low frequencies.

MAXIMUM COMFORT
Designed for maximum comfort and durability, these headphones have lightweight bindings on the headband and hanger that reduce the pressure on your head. Their soft, leather-like ear pads with memory foam ensure a snug fit - whether you're performing in a packed club or engineering in a studio.

ROTATABLE HOUSING
Because of the HDJ-2000MK2s rugged yet lightweight swivel/fold mechanism, you can easily transport them between gigs. Each ear-cup swivels a full 90 degrees, while the auto-return feature makes them ideal for on-the-shoulder monitoring.

Specifications
Impedance
32 Ω
Maximum Input Power
3500 mW
Output Sound Level
107 dBmW
Weight (without cord)
298 g
Frequency Range
5 - 30,000 Hz
Main Features
Type
Circumaural, closed-back dynamic headphones
Driver Units
50 mm dome type
Included Accessories
6.3 mm stereo jack (gold-plated, screw type)
Carrying case
Plug
3.5 mm stereo mini-jack (gold-plated, 2-way, screw-type)
Cord
1.2 m side mount coil cord (3 m extended length)
1.6 m twist-sheathed straight cord

Rane MP2015 ROTARY KNOB PRO DJ PERFORMANCE MIXER

Rane MP2015 ROTARY KNOB PRO DJ PERFORMANCE MIXER

The Rane MP2015 is a no-compromise music-mixing performance instrument.
Control, sound, reliability and durability distinguish Rane’s new techno house club mixer for high-end audio systems.

Born from a legacy of rotary club mixers beginning in 1971 with Rudy Bozak’s CMA-10-2DL, on to 1982 and UREI’s 1620, then in 1999 Rane’s MP2016/XP2016 combo, and now in 2015, the MP2015 represents the next revival and evolution.

With over 40 years of rotary mixer experience to draw on, along with collaboration and input from the world’s best techno house DJs, the MP2015 is the best mixer produced by Rane—ever. There are no compromises in the design. It has the best sound, the best features, the best feel, and the best reliability and durability.

Sound Quality

A world-class leader in performance, the MP2015 is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs preferring the uncompressed sound of WAV and FLAC files.

Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro™ delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios. The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKM’s proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.0009%.

Studio-Quality Phono Preamps, and S/PDIF for CDJs

The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers providing EMI[1], RFI[2] and transient overvoltage protection against ESD[3]. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning rolloff at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation.

EMI (electromagnetic interference) A measure of electromagnetic radiation from equipment.
RFI (radio frequency interference) A measure of radio frequency (RF) radiation from equipment.
ESD (electrostatic discharge) Electrical discharges of static electricity that build up on personnel or equipment, generated by interaction of dissimilar materials.
Using CDJs? For the very best sound, bypass the D/A converters and go direct digital with S/PDIF. Regular RCA line inputs work for players without S/PDIF outputs. Switches for each input let you choose.

Filters and EQ

Sweep Filters
Each of the four Input channels and the Submix channel feature a unique and exclusive three-position toggle selector-switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.

In the LP position the Filter knob sweeps the low-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.

In the HP position the Filter knob sweeps the high-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.

In the L-H position the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Rotating the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz.

The single Resonance (Q) knob controls the shape of all Input and Submix filters. The range is from flat (Q=0.707) to max peaking (Q=12).

These filters are high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Channel Tone Controls
All input channels and the Submix channel have exceptional three-band tone controls characterized by being 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports.

Like the Sweep Filters, the Tone Control filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Submix Channel

This unique input channel provides grouping any number of inputs for easy multi-source mixing. It allows one set of controls for all functions verses having to deal with multiple knobs and buttons on multiple channels. Plus this becomes another input simply by activating the SUB button found on the Session In section.

The Submix is great innovation for multi-track DJs, combining 1 to 4 channels plus the Session Input into a Submix, thereby controlling multiple tracks with one set of EQ, Filter, and volume controls. This means turning one knob instead of trying to turn several channel knobs at once. Quickly assign or un-assign any Input to the Submix, which has its own meter, headphone Cue, and USB record output. This is also where an external effects unit can be mixed in, and assigned to the Submix or the Main Mix. The Submix can also be used as a 5th input channel from the Session Input. No other mixer on the market provides this ease of multi-track use.

Isolator EQ Section

The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz.

Dual USB Ports for Simple DJ Changeover

One of the biggest challenges of digital DJing has been seamlessly changing over from one DJ to the next and playing back-to-back DJ sets. With the dual USB architecture of the MP2015 mixer, changeover between digital DJs has never been easier. Different DJ or DAW software programs are not a problem. When two DJs are connected to the MP2015, they can quickly swap deck control between computers using the Source Select knobs. Any of the four inputs can be swapped back and forth with a simple knob twist. Nice and easy, just the way we intended.

Each port can stream 24 channels of low-latency 24-bit audio at 44.1, 48, or 96 kHz.

Connect up to four turntables, four CD decks, or two of each.

S/PDIF inputs are provided for equipped CDJs. Connect a fifth CD to the Session In using either analog or S/PDIF.

Connect yet another CD or musical instrument to the AUX line input, available at any of the input channels.

Class Compliant Dual USB Ports

Dual USB ports provide simultaneous connection of two computers, enabling back-to-back sets between laptop DJs running different software without compromise or interruption—no easy feat.

The USB ports are 100% class compliant, allowing hook-up to any Mac OSx device without the need for an additional driver.

The included high-performance ASIO driver runs most Windows DAW and DJ software.

MIDI end points are class compliant with both OSX and Windows devices.

Tech Specs

Analog Inputs
Four Analog Deck Inputs: Each is Phono-CD-S/PDIF switchable
....Analog Stereo RCA jacks: Phono (RIAA) or CD (line-level)
........Phono Response: RIAA +0.1/-0.2 dB, Gain: 31 dB at 1 kHz, Butterworth 3rd-order Infrasonic (rumble) and 2nd-order Low-pass Filters
........Max Phono Input: 126 mV
........Max Line Input: 4 Vrms, all unbalanced inputs
Analog Aux Input: Line Level, stereo unbalanced RCA jacks
Session Analog Input: Line Level, stereo unbalanced RCA jacks

S/PDIF
Deck Input S/PDIF RCA jacks: Input 16-bit or 24-bit PCM only
........Dynamic range of 128 dB with ultra low jitter and 16:1 SRC conversion range.

Session S/PDIF Input / Output: RCA jacks (Dynamic range of 128 dB)
....Input 16-bit or 24-bit PCM only, sample Rate 16 kHz to 144 kHz

ADCs
24-bit @ 44.1, 48, or 96 kHz

DACs
24-bit @ 44.1, 48, or 96 kHz

Dynamic Range
Digital/USB Input to Line Output: 116 dB A-weighted
Line Input to Digital/USB Output: 116 dB A-weighted
Line Input to Line Output: 113 dB A-weighted
Digital Signal Processing
32-bit floating point.

USB Audio
Seven stereo record, Five stereo playback, Each Port, 32-bit floating point @ 44.1 kHz, 48 kHz or 96 kHz.

Class-compliant, no driver needed for Mac OSX.
ASIO driver provided for Windows.
FlexFX
Stereo unbalanced ¼" TS (tip-sleeve) jacks, Send and Return.

Mic Input
Balanced ¼" TRS & XLR combo jack with Mic / Line switch and +48V Phantom Power switch.

Line Outputs
Main is on balanced XLR jacks
Booth is on balanced TRS 1/4" jacks
Session is on unbalanced RCA line level or S/PDIF digital RCA jacks
FlexFX Loop Send is unbalanced RCA jacks.
....Frequency Response: 20 Hz to 20 kHz ±0.25 dB
....Unbalanced jacks (Session & FlexFX): Max 4 Vrms
....Balanced jacks (Main & Booth): Max 8 Vrms

THD+N
0.0009%

Internal Universal Power Supply
100 to 240 VAC, Max 20 W, 50 Hz to 60 Hz.

Unit Size
35.5 cm x 33.3 cm x 8.3 cm [14˝ H x 13.1˝ W x 4.3˝ D (includes knobs)]

Weight: 5.7 kg or 12.6 lb.

Shipping Size
19.7 cm x 38.1 cm x 49 cm [7.75˝ H x 15˝ W x 19.25˝ D]

Weight: 7 kg or 15 lb.

Rane TTM 57 MK2 PRO DJ PERFORMANCE MIXER

Rane TTM 57 MK2 PRO DJ PERFORMANCE MIXER

When introduced in 2006 the TTM57SL broke ground as the first ever DJ mixer with built-in USB sound card and tightly integrated Serato software controls. When discontinued in 2013, the TTM57SL had developed a cult-like following.

The TTM57mkII stays true to its original design by supporting familiar workflow while improving performance and software integration. Updated software controls include silicone RGB backlit pads for triggering 4 cue points per deck or the SP-6 sampler. Classic joystick controls toggle slip, instant doubles, internal mode, censor, and transform. Dedicated auto-loop & loop roll controls with back-lit buttons. Intuitive Serato DJ iZotope FX controls for easy & quick access.

The mixer features Rane's exclusive dual USB port architecture for intuitive DJ change over and supports creative dual computer applications. The TTM57mkII is a classic reborn.

Key improvements include:

Dual USB 2.0 high speed class compliant audio and MIDI USB ports:
No driver required on a Mac
High performance ASIO driver for Windows
10 record and 10 playback channels per port
Sample rates of 44.1 kHz, 48 kHz and 96 kHz.
Dedicated Serato DJ iZotope USB FX inserts for each deck.
Software color coded silicone RGB back-lit pads.
Aux USB input dedicated to the SP-6 sampler.
3 High/Low-Pass sweep filters for Decks 1, 2 and Aux.
Rane’s proprietary non-contact magnetic faders.

Two Deck Bus Controls

Each bus selects USB Port A or B computer playback, a Phono / CD deck input, or an Aux line-level input.
Gain trim and metering.
Sweepable Low / High-pass effect Filter.
3-band full-cut tone controls:
Kill switches are momentary on/off.
Press SHIFT and a Kill to latch it on.

Direct Serato Deck Controls

Software FX on/off button.
FX knob parameter adjustment:
Turn to scroll through FX.
Press to select the FX.
Hold SHIFT to change the Beats parameter.
LOOP knob selects the loop length.
Press it to engage Auto Loop.
Hold down ROLL for Loop Roll.
LIBRARY knob scrolls songs or crates:
Press to load a song or crate.
Hold SHIFT to tab between song and crate selection.
TRANSFORM joystick:
Press for Transform on/off.
Transform on: any direction cuts the audio.
Transform off: multifunction software control (gray text).

Trigger Serato DJ Cues and Samples

CUES / SAMPLES button toggles between Cues and Samples.
The button is lit when Cues are active.
Four Cues per Deck. The active USB follows the Deck source selection.
Lit button colors match the Cue colors in Serato DJ software.
Press an un-lit button to create a new Cue. Hold SHIFT to delete a Cue.
Six Sample triggers and Bank select buttons (Bank up and Bank down).
A lit button indicates a ready-to-play sample in Serato DJ.
The USB Aux Input is usually from the Serato SP-6 sample player, with it's own Level control, Low / High-pass sweep Filter and headphone cue. The USB Cue overrides any Deck Cue when it's on.

Dual USB Ports for Simple DJ Changeover

With a computer plugged into each USB port, simply switch a mixer Deck selector to USB A or USB B and audio and MIDI are assigned. Seamlessly switch from one DJ to the next using Serato DJ or other 3rd-party audio software.

Each port can stream 20 channels of low-latency audio at 44.1, 48, or 96 kHz.

A typical setup includes two Serato DVS decks, software FX through independent USB digital inserts for each Deck, and the SP-6 sample player on its own USB Aux input.

Deck Cue, Pan, and Split Cue

The Cue slider cues Deck 1 or Deck 2 by moving the slider accordingly. This lets you adjust a Deck volume in the headphones without raising the Deck Gain control.

When Split Cue is off, the Cue / Main Pan knob balances how much stereo cue and stereo main mix you hear in the headphones.

When Split Cue is on, the Cued Deck goes to the left headphone cup and the Main mix goes to the right cup. The Cue / Main Pan knob balances how much Cue (left) and Main (right) is heard in the headphones.

Magnetic Crossfader

The proprietary Rane magnetic fader is fast, accurate, and long lasting. The design uses non-contact technology previously reserved for demanding aerospace and industrial applications. No travel noise—no bleed—ever.

Rane's magnetic faders accurately translate hand motion into precise audio level control. Non-contact fader technology is the only way to fully address the needs of the professional performance DJ.

Includes Serato DJ software

Rane is pleased to announce that our products which previously included Serato Scratch Live software are now fully supported by and include Serato DJ software. DJs currently using Serato Scratch Live with supported Rane hardware have the option to migrate to the new and improved Serato DJ free of charge. If you’re familiar with Scratch Live, the transition to Serato DJ is easy and intuitive. Serato DJ is a free upgrade supporting the Sixty-One, Sixty-Two, Sixty-Eight, SL2, SL3, and SL4.

Serato DJ provides support for DVS (digital vinyl system), iZotope FX, Sync, Slip Mode, more Cue points, jump-to-loop, an improved 24-slot sampler and takes advantage of the high performance, ultra-low latency Rane ASIO and Core Audio drivers. Both programs share compatible song libraries, the same general workflow and deck layout.

Upgrading is optional -- Serato Scratch Live will still work with the Sixty-One, Sixty-Two, Sixty-Eight, SL2, SL3, and SL4. You can have both programs installed, and use one or the other.

Read our blog post about what changes Scratch Live users can expect here.

FIND OUT MORE AND DOWNLOAD SERATO DJ HERE.

Class Compliant Dual USB Ports

Dual USB ports provide simultaneous connection of two computers, enabling back-to-back sets between laptop DJs running different software without compromise or interruption—no easy feat.

The USB ports are 100% class compliant, allowing hook-up to any Mac OSx device without the need for an additional driver.

The included high-performance ASIO driver runs most Windows DAW and DJ software.

MIDI end points are class compliant with both OSX and Windows devices.

Tech Specs

Analog Inputs
4 Stereo unbalanced RCA jacks

Phono or Line level input, rear panel switches for each input.
Max Line Input: 4 Vrms
Phono Response: RIAA ±1 dB, Gain: 31 dB at 1 kHz
Rumble filter: Butterworth 3rd-order Infrasonic
Max Phono Input:126 mV

ADCs
24-bit, 48 kHz; Dynamic range 102 dB A-weighted

DACs
24-bit, 48 kHz; Dynamic range 108 dB A-weighted

Digital Signal Processing
32-bit floating point

USB Audio
Five Stereo Record, Five Stereo Playback

44.1, 48, or 96 kHz, 32-bit floating point

FlexFX
Stereo unbalanced 1/4" TS (tip-sleeve) phone jack send and return

Mic Input
Balanced ¼˝ TRS & XLR combination jack.

Single-knob High / Low Tone control.

Mic / Line level switch to connect a wireless receiver.

Frequency Response
20 Hz to 20 kHz ±0.25 dB, Line in to Line out

Dynamic Range
101 dB A-weighted

THD+N
<0.01% re 0 dBFS, 20 to 20 kHz, 20 kHz BW

Line Outputs
Unbalanced jacks (RCA & FlexFX): Maximum 4 Vrms

Balanced jacks (Main 1/4˝): Maximum 8 Vrms

Internal Universal Power Supply
100 to 240 VAC, 50 Hz to 60 Hz, 15 W max

Unit Size
14˝ x 10˝ x 4˝ (35.6 x 25.4 x 10.2 cm)

8 lb (3.7 kg)

Shipping Size
7.75˝ H x 15˝ W x 19.25˝ D (19.7 x 38.1 x 49 cm)

12 lb (5.5 kg)

Casio XW PD1 Trackformer digital dj PAD controller

Casio XW PD1 Trackformer digital dj PAD controller

The XW-PD1 is an all-in-one machine that includes all the features essential for laying down tracks, such as a synthesizer, a sequencer, a sampler, effects, speaker and batteries. It also has excellent controllers like pads, knobs, sliders and more. This machine is easy to use, and you'll be intuitively operating its extensive functions to make and perform music in no time with nothing else necessary.

CRISP, PRO SOUNDS
You need a wide variety of sounds if you're going to make dance music. That's why the XW-PD1 is fully equipped with the hottest sounds arranged by professional musicians and DJs/producers.

SEQUENCE LOOPS WITH EASE
With rotating lights, the new sequence step keys allow you to check the rhythm at a glance. Grooving to the music with and eye on the rhythm pattern, you can easily create your own original beats and produce unique tracks just by tapping out rhythms on the pads. Then, all you have to do is lay melodies and bass lines over the top!

TRANSFORM YOUR CREATIONS WITH POWERFUL EFFECTS
The XW-PD1 comes with 200 different effects to dramatically transform your sounds. Intuitively arrange music to your taste by, for example, emphasizing hooks or inserting floor-pounding drops. Control the music however you want.

REMIX YOUR FAVORITE TRACKS
Connect the XW-PD1 to a smartphone or digital audio player via a mixing console and mix or remix your favorite tracks. Apply effects to manipulate songs freely and sample your favorite parts to insert into other songs, giving new life to your favorite music. In addition, the XW-PD1 lets you jam simply by connecting a keyboard or other electronic instruments

TECH SPECS
Controllers
Pads 16
Knobs 4 (FX1, FX2, Value, Volume
Faders 2 (Mix, Assignable)
Sequence Step Keys 16
Buttons 15
Sequencer Step Sequencer Preset 100
User 50
Padset Types Solo Synthisizer, PCM, Melody, PCM Drum, User Sample
Pad Types Sound, Note, Effect, Phrase Seq, User Sample
Number of Steps 16
Number of Banks 4
Number of Measures 16 measures
Number of Patterns 8 patterns
Number of Groups 4 groups
Phrase Sequencer Preset 100
User 100
Other Functions Solo •
Mute •
Key Shift -24 ~ 0 ~ +24
Swing 0 ~ 100%
Velocity Curve 4 types, Off
Retrigger 13 types
Tempo BPM = 60 ~ 20
TAP TEMPO •
Demonstration Songs 3 songs
Sampling
Number of Samples 36 Users
User Samples LONG SAMPLING (Uo to 9 seconds x 4),
SHORT SAMPLING (Uo to 3 seconds x 32)
Sampling Frequencies 42 kHz, Monaural
Quantization 16bit
Effects
Pad Effect 200 types
User 100 types
Master Effect Reverb 0 ~ 127
Stero Imager 3 types
Maximizer 0 ~ 127
Master Equalizer 4 bands
Audio Slice •
Freeze •
Additional Features
Hold •
MIDI Controller Mode •
Auto Power Off Using Batteries Approximately 6 minutes after last key operation
Using AC Adapter Approximately 4 hours after last key operation
Terminals
PHONES Stereo Mini Jack
LINE IN Stereo Mini Jack
MIC IN Standard Jack (connect a dynamic microphone only)
LINE OUT RCA pin jack (stereo)
USB PORT TYPE B
DC IN 9.5V
Speaker
Amplifier 2.0W
Size 6cm
Speaker Off Mode •
Power Suppy
Batteries AA-size x 6
Rechargable Battery eneloop/EVOLTA
Battery Life Approximately 5 hours
Size & Weight
Dimensions (W x D x H) / Weight (without batteries) 344.7 x 232 x 66.8mm / Approximately 1.15kg
Accessories
Bunded Items AC Adapter (AD-E95100L)

Casio XW DJ1 Trackformer digital dj controller

Casio XW DJ1 Trackformer digital dj controller

New style DJ Controller, equipped with 7-inch disc to make a professional scratch play possible, internal speaker and battery powered.

Control DJ Apps
djay
Connect the XW-DJ1 to your PC, Mac, iPhone, iPad or other devices. Just download a DJ app onto your device, and start spinning your favorite tracks.The XW-DJ1 is compatible with djay 2 for iPhone / iPad / iPod touch (a DJ app for iPhone and iPad), djay Pro (a DJ app for Macintosh), TRAKTOR PRO 2 (DJ software for PC) and many other DJ apps and software.

Perform Anywhere, Anytime

The XW-DJ1 is a battery-powered, all-in-one compact DJ controller with a built-in speaker. Easy to carry, the XW-DJ1 lets you perform wherever you are without any fuss. Thanks to an original, symmetric, single-disk design, it allows you to DJ easily whether right- or left-handed.

Enabling Lifelike DJing

The XW-DJ1 is equipped with a 7-inch wide scratch disk that simulates the grooves on analog records. It feels as if you’re spinning an actual vinyl record, enabling the lifelike scratching of a turntablist.

Accessories
HOLDER
iPhone holder
The XW-DJ1 comes with a dedicated stand.
CABLE
Lightning / Mini Din cable
It also comes with a dedicated cable for connecting an iPhone or iPad.
Supported Software
DJ App rogo
iPhone / iPad / iPad mini
djay2 / vjay
Mac OS
djay LE / djay Pro / TRAKTOR PRO 2
Windows
TRAKTOR PRO 2 / Deckadance

Specifications
Supported
Software
iPhone
djay2 / vjay
iPad / iPad mini
djay2 / vjay
iPod touch
djay2 / vjay
Mac OS
djay LE / djay Pro / TRAKTOR PRO 2
Windows
TRAKTOR PRO 2 / Deckadance
Controllers
JOG platter
7 inches x 1

Auto-Cut Scratching
Yes
Faders
CROSS FADER
1
FX PARAMETER
1
Knobs
MASTER VOLUME
1
HEADPHONE VOLUME
1
FILTER
2
Buttons
SCRATCH DIRECTION
Left / Right
DECK SELECT
A / B
PLAY / PAUSE
2
SET CUE
2
CUE PLAY
2
SYNC
2
CUE1
2
CUE2
2
CUE3
2
AUTO LOOP
6
FX
6
Buttons
+ SHIFT
CUE TRACK
2
REW
2
FF
2
HARMONIC MATCH
2
CUE1 CLEAR
2
CUE2 CLEAR
2
CUE3 CLEAR
2
BOUNCE LOOP
6
FX1 / FX2 / FX3
6
Input/Output Terminals
USB port: Type B
iOS device: Mini Din jack
PHONES OUT (L/R): Stereo Mini Jack
MASTER OUT: RCA pin jack (stereo)
DC IN: 12V
Speaker
Amplifier
2.0W
Size
6cm
ON / OFF switch
Yes
Power Supply
Charge iPhone / iPod touch
Yes
Batteries
AA-size x 6 (Rechargeable Battery: eneloop / EVOLTA)
USB bus powered
Yes
Battery Life
Approximately 4 hours
Dimensions (W x D x H)
344.7 x 232.0 x 66.8mm
Weight
Approximately 1.1kg (without batteries)
Included Accessories
AC Adaptor (AD-A12150LW), iPhone holder, Lightning / Mini Din cable
EAN code
4971850347958