PreSonus Eris E66 Active MTM Studio Monitor Standard

PreSonus Eris E66 Active MTM Studio Monitor Standard

6.5" monitors with exceptionally wide stereo field and accurate frequency response.

The Eris E66 delivers an expanded and highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM, also known as “D’Appolito”) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Consistent listening
Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM/D’Appolito configuration, component interference and the sonic inconsistencies that go with it are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.

Transparent and cohesive sound
The E44 utilizes a pair of 6.5", custom-woven, Kevlar® low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. In conjunction with the MTM/D’Appolito configuration, this helps create a transparent, cohesive sound.

Horizontal or vertical—it’s up to you
Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E44 and E66 are able to perform optimally in both orientations. So, like all Eris speakers, the E44 and E66 let you position your speaker the way that works best for you.

You’re in control
Today’s music producers deal with a wide variety of musical genres and often work in more than one location. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor subwoofer into your monitor setup.

Features
Dual 6.5", custom-woven Kevlar LF/midrange drivers produce dynamic, size-defying bass output
1.25", silk-dome HF driver ensures smooth high-frequency performance that is never fatiguing to the ears
Balanced XLR, balanced 1/4" TRS, and unbalanced RCA inputs provide flexibility for seamless integration into any environment
Acoustic tuning controls help to compensate for room anomalies, providing a consistent frequency response customized for your mix environment
Continuously variable HF and MF controls (-6 to +6dB)
Low-cut filter (flat, 80Hz, 100Hz)
Acoustic Space settings (Flat, -2dB, -4dB) compensates for room placement
90W/140W Class A/B bi-amplification for an open, clear sound
RF interference, output-current limiting, over-temperature, and subsonic filter protection
Amplifier “soft start” feature eliminates popping on power-up
Internal power supply with IEC connector
Technical Specifications
PreSonus Eris E66 Active MTM Studio Monitor

Inputs
1- Balanced XLR
1- Balanced 1/4” TRS
1- Unbalanced RCA
Performance
Frequency Response: 45Hz – 22kHz
Crossover Frequency: 2.4kHz
LF Amplifier Power: 80W
HF Amplifier Power: 65W
Peak SPL (@ 1 meter): 106dB
LF Driver: Dual 6.5” Kevlar
HF Driver: 1.25” silk dome
Input Impedance: 10 kOhm
User Controls
Volume Range: A-type taper
MF Control Variable (-6 to +6dB)
HF Control Variable (-6 to +6dB)
Low Cut Flat, 80 Hz, 100Hz
Acoustic Space Flat, -2 dB, -4dB
Protection
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
External mains fuse
Power
100-120V ～50/60 Hz
220-240V ～50/60 Hz
Cabinet
Vinyl-laminated, medium-density fiberboard
Physical
Width: 18.1” (460mm)
Depth: 8.5” (215mm)
Height: 9.8” (250mm)
Weight: 23.4 lb. (10.6kg)

PreSonus Eris E44 Active MTM Studio Monitor Standard

PreSonus Eris E44 Active MTM Studio Monitor Standard

Exceptionally wide stereo field and supremely accurate frequency response.

The Eris E44 delivers an expanded and highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM, also known as “D’Appolito”) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Consistent Listening
Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM/D’Appolito configuration, component interference and the sonic inconsistencies that go with it are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.

Transparent and cohesive sound
The E44 utilizes a pair of 4.5", custom-woven, Kevlar low-frequency drivers. This provides a more-constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. In conjunction with the MTM/D’Appolito configuration, this helps create a transparent, cohesive sound.

Horizontal or vertical—it’s up to you
Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E44 and E66 are able to perform optimally in both orientations. So, like all Eris speakers, the E44 and E66 let you position your speaker the way that works best for you.

You’re in control
Today’s music producers deal with a wide variety of musical genres and often work in more than one location. That’s why Eris-Series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor subwoofer into your monitor setup.

Accuracy defined
Like all PreSonus studio monitors, the Eris E44 offers consistent, accurate listening and extensive user controls. The ultra-wide stereo image afforded by its MTM/D’Appolito design makes it an ideal solution for anyone who requires best-in-class spatial resolution. Hear it at your favorite PreSonus dealer.

Features
Dual 4.5" custom-woven Kevlar LF/midrange drivers produce dynamic, size-defying bass output
1.25" silk-dome HF driver ensures smooth high-frequency performance that is never fatiguing to the ears
Balanced XLR, balanced 1/4" TRS, and unbalanced RCA inputs provide flexibility for seamless integration into any environment
Acoustic tuning controls help to compensate for room anomalies, providing a consistent frequency response customized for your mix environment
Continuously variable HF and MF controls (-6 to +6dB)
Low-cut filter (flat, 80Hz, 100Hz)
Acoustic Space settings (Flat, -2dB, -4dB) compensates for room placement
90W/140W Class A/B bi-amplification for an open, clear sound
RF interference, output-current limiting, over-temperature, and subsonic filter protection
Amplifier “soft start” feature eliminates popping on power-up
Internal power supply with IEC connector
Technical Specifications
PreSonus Eris E44 Active MTM Studio Monitor

Inputs
1- Balanced XLR
1- Balanced ¼” TRS
1- Unbalanced RCA
Performance
Frequency Response: 55Hz – 22kHz
Crossover Frequency: 2.9kHz
LF Amplifier Power: 50W
HF Amplifier Power: 35W
Peak SPL (@ 1 meter): 103dB
LF Driver: Dual 4.5” Kevlar
HF Driver: 1.25” silk dome
Input Impedance: 10 kOhm
User Controls
Volume Range: A-type taper
MF Control: Variable (-6 to +6dB)
HF Control: Variable (-6 to +6dB)
Low Cut: Flat, 80 Hz, 100 Hz
Acoustic Space: Flat, -2 dB, -4dB
Protection
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
External mains fuse
Power
100-120V ～50/60 Hz
220-240V ～50/60 Hz
Cabinet
Vinyl-laminated, medium-density fiberboard
Physical
Width: 14.3” (365mm)
Depth: 7” (180mm)
Height: 7” (180mm)
Weight: 11.9 lb. (5.4kg)

PreSonus Eris E8 High-Definition 2-way 8" Nearfield Studio Monitor Standard

PreSonus Eris E8 High-Definition 2-way 8" Nearfield Studio Monitor Standard

8" High-definition active studio monitor.

When mixing music you want a pair of studio monitors that will accurately reveal the truth about what you're listening to, and the Eris series from PreSonus are designed to do just that. With its 8" Kevlar low-frequency transducer, the Eris E8 provides an extended low-end all the way down to 35Hz, and performs with a bit more muscle than the smaller E5. Eris speakers are real studio monitors, delivering a very accurate response with a tight bass and very clear upper end. That's what you need in a home studio. Thanks to well-designed Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.

Both Eris models provide balanced XLR, balanced ¼" TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼" TS outputs, simply use a ¼"-to-RCA adapter or adapter cable.)

You're in control!
Today's music producers deal with a wide variety of musical genres and often work in more than one location. It's easy to take your Eris speakers with you when you want to work in a different space. It's almost as easy to customize their sound for your room and type of music.

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system-that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you've gain-staged your system, you can leave this control alone.

The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer.

Safety Matters
Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you've ever heard a radio broadcast unexpectedly coming out of a guitar amp, that's the result of RF interference.)

Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer's performance.
Finally, Eris' power amplifiers have a "soft startup" so that you don't get damaging pops in the speakers when you power them up.

Features
8-inch Kevlar low-frequency transducer
1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
130 watt Class AB biamplification
Front-firing acoustic port for superior bass-frequency reproduction
Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
RF interference, output current limiting, over-temperature, transient, and subsonic protection
Optimized, resonance-suppressing internal bracing
Balanced XLR/¼-inch and unbalanced RCA inputs
105 dB maximum continuous SPL
Technical Specifications
PreSonus Eris E8 High-Definition 2-way 8" Nearfield Studio Monitor

Inputs
1- Balanced XLR
1- Balanced ¼" TRS
1- Unbalanced RCA
Performance
Frequency Response 35 Hz - 22 kHz
Crossover Frequency 2.2 kHz
LF Amplifier Power 75W
HF Amplifier Power 65W
Peak SPL (@ 1 meter) 105 dB
LF Driver 8" Kevlar
HF Driver 1.25" silk dome
Input Impedance 10 k?
User Controls
Volume Range A-type taper
MF Control -6, 0, +6 dB
HF Control -6, 0, +6 dB
Low Cut Flat, 80 Hz, 100 Hz
Acoustic Space Flat, -2 dB, -4 dB
Protection
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
External mains fuse
Power
100-120V 50/60 Hz or 220-240V 50/60 Hz
Cabinet
Vinyl-laminated, medium-density fiberboard
Physical
Width 9.84" (250 mm)
Depth 11.77" (299 mm)
Height 15.12" (384 mm)
Weight 22.2 lbs (10.07 kg)

PreSonus Eris E5 High-Definition 2-way 5.25" Nearfield Studio Monitor Standard

PreSonus Eris E5 High-Definition 2-way 5.25" Nearfield Studio Monitor Standard

5" High-definition active studio monitor.

When mixing music you want a pair of studio monitors that will accurately reveal the truth about what you're listening to, and the Eris series from PreSonus are designed to do just that. With its 5" Kevlar low-frequency transducer, the compact Eris E5 sports a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that's impressive.Thanks to well-designed Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.

Both Eris models provide balanced XLR, balanced ¼" TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼" TS outputs, simply use a ¼"-to-RCA adapter or adapter cable.)

You're in control!
Today's music producers deal with a wide variety of musical genres and often work in more than one location. It's easy to take your Eris speakers with you when you want to work in a different space. It's almost as easy to customize their sound for your room and type of music.

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system-that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you've gain-staged your system, you can leave this control alone.

The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer.

Safety Matters
Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you've ever heard a radio broadcast unexpectedly coming out of a guitar amp, that's the result of RF interference.)

Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer's performance.
Finally, Eris' power amplifiers have a "soft startup" so that you don't get damaging pops in the speakers when you power them up.

Features
5.25-inch Kevlar low-frequency transducer
1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
70 watt Class AB biamplification
Front-firing acoustic port for superior bass-frequency reproduction
Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
RF interference, output current limiting, over-temperature, transient, and subsonic protection
Optimized, resonance-suppressing internal bracing
Balanced XLR/¼-inch and unbalanced RCA inputs
102 dB maximum continuous SPL
Technical Specifications
PreSonus Eris E5 High-Definition 2-way 5.25" Nearfield Studio Monitor

Inputs
1- Balanced XLR
1- Balanced ¼" TRS
1- Unbalanced RCA
Performance
Frequency Response 53 Hz - 22 kHz
Crossover Frequency 3 kHz
LF Amplifier Power 45W
HF Amplifier Power 35W
Peak SPL (@ 1 meter) 102 dB
LF Driver 5.25" Kevlar
HF Driver 1" silk dome
Input Impedance 10 kÎ
User Controls
Volume Range A-type taper
MF Control -6, 0, +6 dB
HF Control -6, 0, +6 dB
Low Cut Flat, 80 Hz, 100 Hz
Acoustic Space Flat, -2 dB, -4 dB
Protection
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
External mains fuse
Power
100-120V 50/60 Hz or 220-240V 50/60 Hz
Cabinet
Vinyl-laminated, medium-density fiberboard
Physical
Width 7" (178 mm)
Depth 7.68" (195 mm)
Height 10.24" (260 mm)
Weight 10.2 lbs (4.63 kg)

PreSonus Eris 4.5 High-Definition 2-Way 4.5" Nearfield Studio Monitor Pair Standard

PreSonus Eris 4.5 High-Definition 2-Way 4.5" Nearfield Studio Monitor Pair Standard

Ultra-compact, budget-priced 2-way monitor speakers.

When it's time to replace those cheap "computer" speakers with serious 2-way professional studio monitors, you're ready for the Eris E4.5. With Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, the compact Eris E5 represents an outstanding value in its class. It includes RF shielding, current-output limiting, over-temperature protection, and subsonic protection, and unlike comparably priced studio monitors, it has controls for simulating different listening environments and flattening frequency response to enable accurate mixing.

Features
4.5-inch Kevlar low-frequency transducer
1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
50 Watt, Class D biamplification
Midrange, high frequency, high-pass and Acoustic Space settings for accurate mixing contour
RF interference, output current limiting, over-temperature, transient, and subsonic protection
Technical Specifications
PreSonus Eris 4.5 High-Definition 2-Way 4.5" Nearfield Studio Monitor Pair

4.5-inch Kevlar low-frequency transducer
1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
50 Watt, Class D biamplification
Acoustic Tuning control for accurate mixing contour:
Midrange (±6 dB, continuously variable)
HF (±6 dB, continuously variable)
High-Pass (Off, 80 Hz, 100 Hz)
Acoustic Space settings (flat, -2, -4 dB)
RF interference, output current limiting, over-temperature, transient, and subsonic protection
Optimized, resonance-suppressing internal bracing
Balanced ¼-inch TRS, unbalanced 1/8-inch TS, RCA, and bare-wire inputs
1/8-inch stereo headphone output and bare-wire power-amplifier output
100 dB maximum continuous SPL
70 Hz - 20 kHz frequency response

PreSonus Eris E3.5 Studio Monitors Standard

PreSonus Eris E3.5 Studio Monitors Standard

Ultra-compact 2-way monitor speakers available at a welcome price.

When it's time to replace those cheap "computer" speakers with serious 2-way professional studio monitors, you're ready for the Eris E3.5. With Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, the compact Eris E3.5 represents an outstanding value in its class.

Ideal for gaming and home video production, the Eris E3.5 delivers studio-quality sound yet is compact enough to fit almost anywhere. You get the flexibility of rear-panel, ¼-inch TRS and RCA inputs; front-panel 1/8 in. stereo, unbalanced line inputs for use with mobile audio devices; a convenient front-panel volume control; and an integrated headphone amplifier. Fine-adjust the speaker’s response with low- and high-frequency tuning controls. It may be small but the E3.5 is loud and clear.

Technical Specifications
PreSonus Eris E3.5 Studio Monitors

General
Size: Nearfield
System type: Active
Configuration: 2-way
Drivers
Low-frequency driver: 3.5 in. woven Kevlar woofer
High-frequency driver: 1 in. silk dome tweeter
Full-range driver: Not Specified
Driver type: Not Specified
Sound
Frequency response: 80Hz - 20kHz
Max peak SPL: 105dB
Amplifier class: Class AB
Output power: 50W
Onboard Features
Input connectors: Stereo TRS, RCA, 1/8 in.
Standby mode: Not Applicable
Acoustic space control: Yes
Power indicator: Yes
Other
Width: 5.6 in.
Height: 8.3 in.
Depth: 6.4 in.
Weight: 11.9 lbs
Enclosure type: Vinyl-lamination. High acoustic efficient MDF.

PreSonus AudioBox iTwo Studio - Complete Mobile Hardware/Software Recording Kit

PreSonus AudioBox iTwo Studio - Complete Mobile Hardware/Software Recording Kit

AudioBox iTwo Studio from Presonus is a complete mobile recording solution for Mac, Windows and iPad, and includes integrated software that allows for transferring songs wirelessly from the Capture Duo software for iPad to the Studio One software for additional editing and mixing. Perfect for mobile musicians, sound designers and podcasters, the USB 2.0 bus-powered AudioBox iTwo provides two channels of audio input and output.
Studio One Artist DAW software for Mac or PC features a single-window work environment with drag-and-drop functionality and offers unlimited tracks, plug-ins and comprehensive editing tools. The lack of a need to wade through endless menus means a readily enhanced workflow. PreSonus Capture Duo software brings sophisticated audio recording functionality to the Apple iPad using a quick and easy to use interface.
For audio capture and monitoring, the bundle includes the company's M7 large-diaphragm condenser microphone and their HD7 headphones. And the Nimbit Free account is a means to promote, sell music and merchandise using a direct-to-fan online service.
Core Technology
Bus-powered USB 2.0/iPad audio interface
24-bit resolution, 44.1, 48, 88.2, and 96 kHz sampling rate
Compatible with almost all recording software for Mac, Windows, and iPad
Two microphone inputs with low-noise, high-headroom, Class A preamplifiers and +48V
Two switchable line/instrument inputs
Two balanced 1/4" TRS main line-level outputs
MIDI In/Out
Stereo headphone output with independent level control
Zero-latency monitoring via internal analog mixer (mix knob)
Large main volume knob
Signal present and clipping LEDs
Kensington lock hole
Metal chassis
Studio One Artist DAW for Mac and Windows
Single-window work environment
Drag-and-drop functionality
Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels
Content browser with convenient sort options and preview player
Intuitive MIDI-mapping system
Real-time audio time-stretching and re-sampling
Multi-track comping and MIDI editing
Transient detection and editing, groove extraction
Automatic delay compensation
Advanced automation
Integrates tightly with Celemony Melodyne
Instantly configures to PreSonus interfaces
Compatible with ASIO, Windows Audio, and Core Audio compliant interfaces
Twenty-six, 32-bit Native Effects and virtual instrument plug-ins
Over 4 GB of third-party software, loops, and instruments
Mac and Windows compatible
Capture Duo Recording Software for iPad
Simple and intuitive mobile recording solution for Apple iPad
Records two stereo tracks at up to 24-bit, 96 kHz
One-tap recording
Direct wireless transfer of sessions to PreSonus Studio One
Editing functions include cut, copy, paste, split, and duplicate
Level and pan controls for balancing tracks
Saves in compact Apple Lossless format
Works with any iPad-compatible interface, including the internal iPad microphone
M7 Microphone
Large-diaphragm condenser design
Microphone stand adaptor
Phantom-powered via AudioBox iTwo
Microphone cable and cloth carry bag included
HD7 Headphones
Neodymium drivers
Precision-tuned acoustic chamber
Extended bass response
Built to withstand abuse
Auto-fit head pads
Comfortable and long-lasting ear pads
8.2' (2.5 m) single-side cable
Optimized pressure
Lightweight
Nimbit Free Direct-to-Fan Marketing and Promotion
Sell music and merchandise using the direct-to-fan online service
Easily manage everything fans need to stream and buy music, purchase merchandise, plan to attend shows, and follow your career
Artist profile with photos, bio, events, videos, streaming audio, and more
Mobile-ready Nimbit Calendar - show events, sell tickets, sharing features
Build, manage, and mine a fan list
Event and venue management
Fundraising tools
Tip jar
Supports all PayPal supported currencies
Studio Magic Plug-in Suite Included
You'll also receive access to seven useful plug-ins in VST, AU, AAX formats, including the SPL Attacker (which uses the same algorithms as their famed Transient Designer), the Maag Audio EQ2 (which boasts a well-regarded high-frequency air band useful for adding sparkles to vocals), a Lexicon reverb, an Eventide Harmonizer, an Eventide Stereo Room plug-in, and bundle of physically-modelled instruments from Arturia

PreSonus ITwo Studio Specs
Interface
Max Sample Rate/Resolution 96 kHz / 24-Bit
Connectivity
Host Connection USB Type-B (USB 2.0)
Analog I/O None
Digital I/O None
MIDI I/O None
Performance
Digital Audio
Compatibility
OS Compatibility iOS 7.0.1 or Later
macOS 10.7.5 or Later
Windows 7
Windows 8 or Later
Processor Requirement Intel Core Duo
RAM Requirements 4 GB (8 GB Recommended)
Minimum Display Resolution 1280 x 800
Mobile Device Compatibility iPad Air
iPad Mini with Retina
iPad 4th Gen.
iPad Mini
iPad 3rd Gen.
iPad 2
Required Hardware Available USB 2.0 Port
Internet Connection Required for Registration and Software/Driver Download
Power
Physical
Packaging Info
Package Weight 6.0 lb
Box Dimensions (LxWxH) 14.331 x 11.732 x 7.48"

PreSonus AudioBox 44VSL - USB 2.0 Recording System

PreSonus AudioBox 44VSL - USB 2.0 Recording System

The AudioBox 44VSL from Presonus is a portable 4 input/4 output USB 2.0 audio and MIDI interface that allows for monitoring with low-latency effects. Using the computer's CPU and PreSonus Virtual StudioLive software, the interface provide reverb and delay effects and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive 16.0.2 digital mixer, all with inaudible latency.
Compact and rugged, the interface offers two front-panel microphone/instrument combo and two microphone/line combo inputs, global phantom power, and six line-level outputs. It features the same high-headroom, Class-A XMAX preamps as the StudioLive mixers, and has 24-bit/96kHz converters with 114dB dynamic range for clear, clean audio.
The preamplifiers offer three key advantages - high voltage, discrete components and Class-A circuitry. The net result is low noise, wide dynamic range, extended frequency response, and most importantly, musicality and transparency. The unit is housed in a ruggedly built metal chassis. Clip lights are provided for all channels.
The interface includes an 8 x 4 software mixer that along with a laptop or other computer running VSL allows you to mix a studio session or a live show featuring, say, a guitar duo with vocals, a small band, a DJ rig with mixer and stereo synthesizer, or a panel discussion, all while monitoring and recording with or without real-time processing.
Seamlessly integrated with the included Studio One Artist DAW and VSL, the AudioBox 44VSL interface works with virtually all Mac and Windows audio-recording software.
4 input/4 output 24-bit/96kHz USB 2.0 recording interface
2 Class-A XMAX microphone/instrument preamps
2 Class-A XMAX microphone/line preamps
Individual input channel-trim controls with 0 to +35dBu microphone gain range
2 balanced 1/4" TRS phone main outputs with level control
4 balanced 1/4" TRS phone auxiliary line outputs
Headphone amplifier with level control
Mixer control (blends the input signal with the computer playback stream for zero-latency analog monitoring)
VSL (Virtual Studio Live) 8 x 4 Kernel mode DSP mixer with StudioLive 16.0.2 Fat Channel dynamics processing and EQ for each analog input and its DAW return and two stereo effects buses with reverb and delay
VSL includes more than 50 Fat Channel DSP presets for enhancing instrument and vocal recordings
Near-zero-latency monitoring with extensive signal processing
Analog monitor mixing with playback/input mix control knob
Power/USB sync LED
Clip lights for each channels
Globally-switchable phantom power
MIDI I/O
Rugged metal chassis
1/2-rack unit form factor
Includes Studio One Artist software with unlimited track count and over 4GB of third-party resources
Includes Studio Magic Plug-In Suite with Maag Audio EQ 2, SPL Attacker, Arturia Instruments and more

PreSonus 44VSL Specs
Mic Preamps 4
Converters 24-bit
Sample Rates 44.1, 48, 88.4 and 96kHz
Inputs 4 x Combo XLR female
Input Impedance Microphone: 10kΩ
Line: 10kΩ
Instrument: 1MΩ
Maximum Input Level +21dBu, <0.5% THD
Gain Microphone: -15dB to +65dB
Line: -20dB to +20dB
Instrument: -30dB to +50dB
Outputs 6 x 1/4" TRS phone
1 x 1/4" TRS phone Headphone
Output Impedance Line: 51Ω
Maximum Output Level Line: +10dBu, <0.5% THD
Headphone: 120mW/channel @ 60Ω load
MIDI 2 x 5-pin DIN I/O
Dynamic Range 114dB (ADC and DAC) @ 48kHz, A-weighted
THD + N Microphone: 0.002%, +4dBu, 1kHz, unity gain, 22kHz BW, A-weighted
Line Input: 0.002%, +4dBu, 1kHz, unity gain, 22kHz BW, A-weighted
Instrument Input: 0.003%, +4dBu, 1kHz, unity gain, 22kHz BW, A-weighted
Line Output: 0.003%, +4dBu, 1kHz, unity gain, 22kHz BW, A-weighted
Headphone: 0.01%, +4dBu, 1kHz, unity gain, 20kHz BW, A-weighted
S/N Ratio Microphone: 98dB, +4dBu, 1kHz, unity gain, 22kHz BW, A-weighted
Line Input: 98dB, +4dBu, 1kHz, unity gain, 22kHz BW, A-weighted
Instrument Input: 89dB, +4dBu, 1kHz, unity gain, 22kHz BW, A-weighted
Line Output: 109dB, 1kHz, 22kHz BW, A-weighted
Headphone: 90dB, 1kHz, maximum gain, 20kHz BW, unweighted
Noise Microphone EIN: -133dB, 20kHz BW, maximum gain, Rs=40Ω, A-weighted
Frequency Response Microphone: 20Hz to 22kHz, +/-0.25dB, unity gain
Line Input: 20Hz to 22kHz, +/-0.25dB, unity gain
Instrument Input: 20Hz to 22kHz, +/-0.25dB, unity gain
Line Output: 20Hz to 22kHz, +/-0.25dB
Headphone: 20Hz to 22kHz, +/-0.5dB, maximum gain
Phantom Power 48V, global switching
Controls Trim
Mains
Phones
Mixer
48V
Power 12 VDC external power supply (included) 1A, center-positive
Compatibility ASIO, Core Audio, WDM, MME and multi-client drivers
System Requirements Mac
Intel Core 1 Solo 1.5GHz processor (Intel Core Duo or Intel Xeon processor recommended)
OS X 10.6 or later (32- and 64-bit)
1GB RAM (2GB or more recommended)
USB 2.0 Port
DVD-ROM drive (required to install Studio One Artist)
Internet connection recommended

PC
Intel Pentium IV 1.6GHz processor or AMD Athlon 64 3000+ (Turion) (2.8GHz or faster recommended)
Windows Vista, Windows 7 (32- and 64-bit)
1GB RAM (2GB or more recommended)
USB 2.0 Port
DVD-ROM drive (required to install Studio One Artist)
Internet connection recommended
Dimensions (WxDxH) 1/2 rack space
Weight 2.6 lb (1.2kg)
Specialties Latency: 2.8mS to 6mS, analog in to out
Packaging Info
Package Weight 4.6 lb
Box Dimensions (LxWxH) 15.9 x 7.9 x 4.3"

PreSonus AudioBox USB 96 audio interface recording system

PreSonus AudioBox USB 96 audio interface recording system

Portable USB 2.0 audio and MIDI interface with up to 96 kHz audio.

A great choice for mobile musicians and podcasters, the 2­-channel AudioBox USB 96 is bus-­powered, compact, ruggedly built, and works with virtually any PC or Mac recording software. It boasts high­-performance Class A mic preamplifiers and professional­ quality, 24-­bit, 96 kHz converters. And it comes with PreSonus’ amazing Studio One 3 Artist DAW software for Mac and Windows.

Studio Magic Plug-in Suite Included
Both new and existing registered owners of any currently available PreSonus audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac and Windows. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online MyPreSonus accounts and can be downloaded at any time—even if they bought the eligible PreSonus interface or mixer years ago. The suite includes: SPL Attacker, Maag Audio EQ2, Lexicon MPX-i Reverb, Eventide H910, Eventide 2016 Stereo Room, Brainworx bx Opto Compressor and Arturia's Analog Lab Lite.

Features
Bus-powered USB 2.0 audio and MIDI interface
Compatible with almost all recording software for Mac and Windows
24-­bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rates
2 combo mic/instrument inputs with high­-performance, low-­noise, high-headroom mic preamplifiers
Zero-latency analog monitoring
Includes Studio One
3 Artist DAW software and 6+ GB of third­-party resources

PreSonus AudioBox iTwo 2x2 USB audio interface

PreSonus AudioBox iTwo 2x2 USB audio interface

USB/iPad recording system with two combo inputs.

The PreSonus AudioBox iTwo offers even more flexibility for mobile musicians and podcasters who are looking for a professional means of recording on their iPad or laptop. This USB bus-powered interface incorporates two combo mic/line/instrument inputs with a high-performance Class A mic preamplifier, balanced TRS monitor outputs, MIDI connectivity, and professional-quality, 24-bit/96 kHz converters that will capture your source in great detail, anywhere you are ready to record. The iOne is built with a rugged metal chassis, and works with virtually any Windows, Mac, or iPad recording software. It also comes with PreSonus' Studio One Artist DAW software for Mac and Windows and works with free Capture Duo for iPad recording software, with direct wireless transfer of your recordings to Studio One. Capture your inspiration the moment it strikes with the PreSonus AudioBox iOne audio interface.

Studio Magic Plug-in Suite Included
Both new and existing registered owners of any currently available PreSonus audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac and Windows. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online MyPreSonus accounts and can be downloaded at any time—even if they bought the eligible PreSonus interface or mixer years ago. The suite includes: SPL Attacker, Maag Audio EQ2, Lexicon MPX-i Reverb, Eventide H910, Eventide 2016 Stereo Room, Brainworx bx Opto Compressor and Arturia's Analog Lab Lite.

PreSonus
Similar PreSonus Products
All PreSonus Products
Features
Bus-powered USB 2.0/iPad audio and MIDI interface
2 combo mic/instrument/line inputs with Class A preamps
Easy-to-use Studio One Artist DAW software and 6+ GB of third-party sample content
Capture Duo for iPad one-tap recording application with wireless transfer to Studio One
Compatible with almost all recording software for Mac, Windows, and iPad
Nimbit Free account to distribute and sell your music
24-bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rates
2 balanced ¼" TRS main line-level outputs
Ultra-low-latency monitoring via internal analog mixer (mix knob)
+48V phantom power for condenser microphones
Large main volume knob
Stereo headphone output with independent level control
Signal present and clipping LEDs
1x1 MIDI In/Out
Kensington lock hole
Rugged metal chassis

PreSonus AudioBox iOne USB audio interface

PreSonus AudioBox iOne USB audio interface

Value-packed, Go-anywhere Audio Interface
The PreSonus AudioBox iOne USB audio interface is an outstanding solution for small-format recording projects. With one Class A mic preamp and 24-bit/96kHz recording quality, you're well equipped for podcasting, vocal or instrument recordings, and electronic music production. You also get PreSonus' Studio One Artist DAW software, which has earned a good reputation at Sweetwater for its ease of use and impressive sonic results. Whether you're producing music on your Mac, PC, or iPad, you're in for a great experience with the PreSonus AudioBox iOne USB audio interface.

Recording in Studio One Made Easy: The Preferences Window

Recording in Studio One Made Easy: The Inspector

Recording in Studio One Made Easy: The Console

Recording in Studio One Made Easy: The Browser

Recording in Studio One Made Easy: Recording Keys

Recording in Studio One Made Easy: Recording Electric Guitar

Recording in Studio One Made Easy: Recording Bass

Recording in Studio One Made Easy: Recording Acoustic Guitar

Recording in Studio One Made Easy: Other Menu Functions

Recording in Studio One Made Easy: Interface Setup and Start Page

Recording in Studio One Made Easy: Exporting Your Songs

Recording in Studio One Made Easy: Creating a Song File

Recording in Studio One Made Easy: Creating a Drum Track

Recording in Studio One Made Easy: The Tool Bar

Primed for high-quality single-channel recordings
With a single low-noise, high-headroom mic preamp onboard, the PreSonus AudioBox iOne is designed to give you excellent sonic results in a conveniently compact package. It's an ideal interface for recording on the go with your laptop or iPad, with sound quality you won't find lacking when you're back in your studio.

Everything you need to record and mix with Studio One Artist DAW software
Whether you are trying to record killer tracks, timestretch audio regions, or quantize drum parts, Studio One Artist lets you do it with ease. You'll have all the tools you need for top-notch audio production, with a drag-and-drop interface that's incredibly easy to learn. From recording music and voiceovers to electronic music production and sound design, Studio One Artist has the tools you need for virtually any audio project.

Full integration with the Capture Duo iPad App
The AudioBox iOne also comes with PreSonus' Capture Duo recording app for iPad. It's a dead-simple recording app that makes it easy to record before you lose your musical inspiration. Best of all, you can wirelessly transfer your Capture Duo recording session to a Studio One Artist 2 session on your computer. You can see that with the AudioBox iOne interface, you're actually invested in a completely integrated recording solution for both your computer and iPad.

FREE Plug-in Suite for Your Favorite DAW
PreSonus delivers more value than ever with their mixers and interfaces, thanks to the Studio Magic Plug-in Suite. This extensive collection of seven popular plug-ins covers models of top studio gear from manufacturers such as Maag Audio, Lexicon, and Arturia, adding up to hundreds of dollars of extra value. Punch up your mix bus with Brainworx's bx-opto, add ambience with Eventide's SP2016-inspired Stereo Room reverb, fire up transients with SPL's Attacker, and much more. And since these plug-ins are available in AAX, VST, and AU formats, they're compatible with any DAW you choose.

PreSonus AudioBox iOne USB Audio Interface Features:
Bus powered USB audio interface for Mac, PC, and iPad
Low-noise, high-headroom mic preamp is perfect for recording vocals and instruments
Included Studio One Artist DAW software gives you a full-featured recording and mixing solution
Capture Duo iPad app makes it easy to record and transfer projects to your Studio One Artist DAW
Completely portable with no power supply required
The PreSonus AudioBox iOne is a complete production solution!
Additional Media
Audio Interface Buying Guide
How to Power the PreSonus AudioBox iTwo with iPad
Presonus AudioBox iTwo Interface and Capture Duo App Demo - Sweetwater's iOS Update, Vol. 82
PreSonus AudioBox i Series Audio Interface Overview - Sweetwater at Summer NAMM 2014
PreSonus AudioBox iOne and AudioBox iTwo
Tech Specs
Computer Connectivity: USB 2.0
Form Factor: Desktop
Simultaneous I/O: 2 x 2
Number of Preamps: 1
Phantom Power: Yes
A/D Resolution: 24-bit/96kHz
Analog Inputs: 1 x XLR (mic), 1 x 1/4" (instrument)
Analog Outputs: 2 x 1/4" (main out)
Headphones: 1 x 1/4"
USB: 1 x Type B, 1 x Type A
Software: Presonus Studio One Artist, Capture Duo iPad app
OS Requirements - Mac: OS X 10.8.5 or later, 2GHz multi-core processor or higher
OS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higher, 8GB RAM or more recommended
Bus Powered: Yes
Depth: 5.31"
Width: 5.91"
Height: 1.71"
Weight: 1.35 lbs.
Manufacturer Part Number: AudioBox iOne