Rane RH50 Over Ear Closed Back Studio Monitoring Headphones

Rane RH50 Over Ear Closed Back Studio Monitoring Headphones

Range-topping cans from Rhode Island DJ gear veterans Rane. Suitable for studio use as well as mixing, these are a classically styled closed-back design with 40mm drivers.

Supplier notes:
The RH-50 high-performance headphones are further evidence of Rane's unwavering dedication to both engineering excellence and ease of use. Recognizing that too many headphones designed for serious listening fall short of combining all the elements of great headphones into a single unit-full-range frequency response, ear pads that deliver hours of comfort, space-saving collapsible design and detachable cables with multiple jacks for use with virtually any gear-the RH-50 brings all these critical attributes together in one no-compromise unit. The result is a superb-sounding, comfortable, convenient unit that professionals and enthusiasts alike will depend on and enjoy, no matter how demanding the requirement.

The drivers are heavy-duty 40mm neodymium-powered units, which gives the RH-50 a particularly deep and potent bass response. When combined with their high-temperature / high-power voice coils, the overall effect is one of effortless authority, where every musical nuance is reproduced with detail and accuracy. The headphones are a collapsible design, making them easy to transport and the soft padded head band and ear pads stay comfortable during extended sessions.

In the box:

- RH-50 Headphones
- 39.4" (1m) straight detachable, locking 2.5mm (headphone end) to 3.5mm cable
- 55" (1.4m) coiled detachable, locking 2.5mm (headphone end) to 3.5mm cable
- 3.5mm to 1 / 4" TRS adapter

Professional, studio-quality performance
Wide frequency response for critical monitoring
Comfortable padded headband and earpads
Collapsible earcups
Two detachable cables - straight and coiled
3.5mm-1/4" stereo adapter plug

Frequency Range 10Hz - 20kHz
Impedance (Ohm) 58
Maximum Input (mW) 1000
Driver Type 40mm
Closed/Open Back Closed Back

Rane RH2 Over Ear Closed Back Monitoring Headphones

Rane RH2 Over Ear Closed Back Monitoring Headphones

Keenly priced all-rounders from Rane. 50mm drivers in a closed-back, over-ear configuration for isolation. Suitable for DJing, studio use or just listening. Collapsible design with swivel joints for comfort.b

Supplier notes:
The RH-2 high-definition headphones bridge the gap between studio monitor engineering and private audio. Incorporating premium audio components into a rugged, durable design, the RH-2 delivers outstanding sound reproduction and excellent audio isolation, making it suitable for use in professional recording and monitoring environments.

The extra-large 50mm drivers offer impressive bass response, enabling producers to make accurate mix adjustments to the low end in any listening environment. The RH-2 was developed for musicians and engineers who require fatigue-free listening and maximum comfort during long recording, mixing and listening sessions. Its closed-back construction is ideal for long hours spent in the studio and helps reduce signal leakage to nearby microphones. Overstuffed padding on the ear cups and headband provide unparalleled comfort during demanding recording sessions, and the ear cups completely surround the ears for excellent audio isolation.

In the box:

- RH-2 Headphones
- 10-foot Removable (3m) Locking Cable
- 1 / 8-inch-to-1 / 4-inch (3.5mm-to-6.35mm) Adapter
- Safety & Warranty Manual

Studio-level performance and accurate sonic imaging
Noise-isolating over-ear design
Plush ear cushions for extended comfort
180-degree rotatable frame, easy for single ear monitoring
Swivel design allowing for pristine comfort for any user
Collapsible design allowing for unmatched portability
Detachable 10ft. (3m) locking cable with 1/8"-to-1/4" (3.5mm-to-6.35mm) adapter

Colour Black
Frequency Range 10Hz-30kHz
Impedance (ohms) 32
Sensitivity (dB/mW) 100
Driver Unit 50mm
Maximum Input (mW) 300
Closed/Open Back Closed Back

Rane RH1 Over Ear Closed Back Monitoring Headphones

Rane RH1 Over Ear Closed Back Monitoring Headphones

Cheap and cheerful little headphones from Rane, with a closed-back design making them suitable for DJ monitoring or studio use. A nice option at this low price point.

Supplier notes:
The RH-1 is a new portable closed monitoring headphone. It fits perfectly over the ears, is small and lightweight, and provides exceptional comfort making them ideal for long hours in the studio monitoring your mixdown tracks.

With a newly designed 40mm Neodymium magnet driver, the RH-1 embodies an accurate and pure sound, suitable for all professional personal monitoring occasions. With outstanding performance and a modest price point the RH-1 is suitable for any application. The 9ft. (2.7m) long cable also includes a 1 / 4-inch adaptor making the RH-1 compatible with all equipment.

In the box:
- RH-1 Headphones
- 1 / 8-inch-to-1 / 4-inch (3.5mm-to-6.35mm) Adapter
- Safety & Warranty Manual

Compact, lightweight and portable design
Precise, closed-cavity structure deploying accurate and pure sound
High-quality stainless-steel telescopic arms with scale
180-degree rotatable frame, for easy single-ear monitoring

Colour Black
Frequency Range 15Hz-28KHz
Impedance (ohms) 32
Sensitivity (dB/mW) 95
Driver Unit 40mm
Maximum Input (mW) 200
Closed/Open Back Closed Back

Home Used - Rane SERATO SL3 FULL BUNDLE SET for sale!!! with Box/Menu/CDs/Vinyl/All Cables

Home Used - Rane SERATO SL3 FULL BUNDLE SET for sale!!! with Box/Menu/CDs/Vinyl/All Cables

Serious buyer only!
RM 2,300 (Tip Top Condition)

PM ! or Whatsapp only: +6012-220 9931

Rane MP2015 ROTARY KNOB PRO DJ PERFORMANCE MIXER

Rane MP2015 ROTARY KNOB PRO DJ PERFORMANCE MIXER

The Rane MP2015 is a no-compromise music-mixing performance instrument.
Control, sound, reliability and durability distinguish Rane’s new techno house club mixer for high-end audio systems.

Born from a legacy of rotary club mixers beginning in 1971 with Rudy Bozak’s CMA-10-2DL, on to 1982 and UREI’s 1620, then in 1999 Rane’s MP2016/XP2016 combo, and now in 2015, the MP2015 represents the next revival and evolution.

With over 40 years of rotary mixer experience to draw on, along with collaboration and input from the world’s best techno house DJs, the MP2015 is the best mixer produced by Rane—ever. There are no compromises in the design. It has the best sound, the best features, the best feel, and the best reliability and durability.

Sound Quality

A world-class leader in performance, the MP2015 is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs preferring the uncompressed sound of WAV and FLAC files.

Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro™ delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios. The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKM’s proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.0009%.

Studio-Quality Phono Preamps, and S/PDIF for CDJs

The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers providing EMI[1], RFI[2] and transient overvoltage protection against ESD[3]. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning rolloff at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation.

EMI (electromagnetic interference) A measure of electromagnetic radiation from equipment.
RFI (radio frequency interference) A measure of radio frequency (RF) radiation from equipment.
ESD (electrostatic discharge) Electrical discharges of static electricity that build up on personnel or equipment, generated by interaction of dissimilar materials.
Using CDJs? For the very best sound, bypass the D/A converters and go direct digital with S/PDIF. Regular RCA line inputs work for players without S/PDIF outputs. Switches for each input let you choose.

Filters and EQ

Sweep Filters
Each of the four Input channels and the Submix channel feature a unique and exclusive three-position toggle selector-switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.

In the LP position the Filter knob sweeps the low-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.

In the HP position the Filter knob sweeps the high-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.

In the L-H position the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Rotating the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz.

The single Resonance (Q) knob controls the shape of all Input and Submix filters. The range is from flat (Q=0.707) to max peaking (Q=12).

These filters are high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Channel Tone Controls
All input channels and the Submix channel have exceptional three-band tone controls characterized by being 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports.

Like the Sweep Filters, the Tone Control filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Submix Channel

This unique input channel provides grouping any number of inputs for easy multi-source mixing. It allows one set of controls for all functions verses having to deal with multiple knobs and buttons on multiple channels. Plus this becomes another input simply by activating the SUB button found on the Session In section.

The Submix is great innovation for multi-track DJs, combining 1 to 4 channels plus the Session Input into a Submix, thereby controlling multiple tracks with one set of EQ, Filter, and volume controls. This means turning one knob instead of trying to turn several channel knobs at once. Quickly assign or un-assign any Input to the Submix, which has its own meter, headphone Cue, and USB record output. This is also where an external effects unit can be mixed in, and assigned to the Submix or the Main Mix. The Submix can also be used as a 5th input channel from the Session Input. No other mixer on the market provides this ease of multi-track use.

Isolator EQ Section

The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.

Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz.

Dual USB Ports for Simple DJ Changeover

One of the biggest challenges of digital DJing has been seamlessly changing over from one DJ to the next and playing back-to-back DJ sets. With the dual USB architecture of the MP2015 mixer, changeover between digital DJs has never been easier. Different DJ or DAW software programs are not a problem. When two DJs are connected to the MP2015, they can quickly swap deck control between computers using the Source Select knobs. Any of the four inputs can be swapped back and forth with a simple knob twist. Nice and easy, just the way we intended.

Each port can stream 24 channels of low-latency 24-bit audio at 44.1, 48, or 96 kHz.

Connect up to four turntables, four CD decks, or two of each.

S/PDIF inputs are provided for equipped CDJs. Connect a fifth CD to the Session In using either analog or S/PDIF.

Connect yet another CD or musical instrument to the AUX line input, available at any of the input channels.

Class Compliant Dual USB Ports

Dual USB ports provide simultaneous connection of two computers, enabling back-to-back sets between laptop DJs running different software without compromise or interruption—no easy feat.

The USB ports are 100% class compliant, allowing hook-up to any Mac OSx device without the need for an additional driver.

The included high-performance ASIO driver runs most Windows DAW and DJ software.

MIDI end points are class compliant with both OSX and Windows devices.

Tech Specs

Analog Inputs
Four Analog Deck Inputs: Each is Phono-CD-S/PDIF switchable
....Analog Stereo RCA jacks: Phono (RIAA) or CD (line-level)
........Phono Response: RIAA +0.1/-0.2 dB, Gain: 31 dB at 1 kHz, Butterworth 3rd-order Infrasonic (rumble) and 2nd-order Low-pass Filters
........Max Phono Input: 126 mV
........Max Line Input: 4 Vrms, all unbalanced inputs
Analog Aux Input: Line Level, stereo unbalanced RCA jacks
Session Analog Input: Line Level, stereo unbalanced RCA jacks

S/PDIF
Deck Input S/PDIF RCA jacks: Input 16-bit or 24-bit PCM only
........Dynamic range of 128 dB with ultra low jitter and 16:1 SRC conversion range.

Session S/PDIF Input / Output: RCA jacks (Dynamic range of 128 dB)
....Input 16-bit or 24-bit PCM only, sample Rate 16 kHz to 144 kHz

ADCs
24-bit @ 44.1, 48, or 96 kHz

DACs
24-bit @ 44.1, 48, or 96 kHz

Dynamic Range
Digital/USB Input to Line Output: 116 dB A-weighted
Line Input to Digital/USB Output: 116 dB A-weighted
Line Input to Line Output: 113 dB A-weighted
Digital Signal Processing
32-bit floating point.

USB Audio
Seven stereo record, Five stereo playback, Each Port, 32-bit floating point @ 44.1 kHz, 48 kHz or 96 kHz.

Class-compliant, no driver needed for Mac OSX.
ASIO driver provided for Windows.
FlexFX
Stereo unbalanced ¼" TS (tip-sleeve) jacks, Send and Return.

Mic Input
Balanced ¼" TRS & XLR combo jack with Mic / Line switch and +48V Phantom Power switch.

Line Outputs
Main is on balanced XLR jacks
Booth is on balanced TRS 1/4" jacks
Session is on unbalanced RCA line level or S/PDIF digital RCA jacks
FlexFX Loop Send is unbalanced RCA jacks.
....Frequency Response: 20 Hz to 20 kHz ±0.25 dB
....Unbalanced jacks (Session & FlexFX): Max 4 Vrms
....Balanced jacks (Main & Booth): Max 8 Vrms

THD+N
0.0009%

Internal Universal Power Supply
100 to 240 VAC, Max 20 W, 50 Hz to 60 Hz.

Unit Size
35.5 cm x 33.3 cm x 8.3 cm [14˝ H x 13.1˝ W x 4.3˝ D (includes knobs)]

Weight: 5.7 kg or 12.6 lb.

Shipping Size
19.7 cm x 38.1 cm x 49 cm [7.75˝ H x 15˝ W x 19.25˝ D]

Weight: 7 kg or 15 lb.

Rane TTM 57 MK2 PRO DJ PERFORMANCE MIXER

Rane TTM 57 MK2 PRO DJ PERFORMANCE MIXER

When introduced in 2006 the TTM57SL broke ground as the first ever DJ mixer with built-in USB sound card and tightly integrated Serato software controls. When discontinued in 2013, the TTM57SL had developed a cult-like following.

The TTM57mkII stays true to its original design by supporting familiar workflow while improving performance and software integration. Updated software controls include silicone RGB backlit pads for triggering 4 cue points per deck or the SP-6 sampler. Classic joystick controls toggle slip, instant doubles, internal mode, censor, and transform. Dedicated auto-loop & loop roll controls with back-lit buttons. Intuitive Serato DJ iZotope FX controls for easy & quick access.

The mixer features Rane's exclusive dual USB port architecture for intuitive DJ change over and supports creative dual computer applications. The TTM57mkII is a classic reborn.

Key improvements include:

Dual USB 2.0 high speed class compliant audio and MIDI USB ports:
No driver required on a Mac
High performance ASIO driver for Windows
10 record and 10 playback channels per port
Sample rates of 44.1 kHz, 48 kHz and 96 kHz.
Dedicated Serato DJ iZotope USB FX inserts for each deck.
Software color coded silicone RGB back-lit pads.
Aux USB input dedicated to the SP-6 sampler.
3 High/Low-Pass sweep filters for Decks 1, 2 and Aux.
Rane’s proprietary non-contact magnetic faders.

Two Deck Bus Controls

Each bus selects USB Port A or B computer playback, a Phono / CD deck input, or an Aux line-level input.
Gain trim and metering.
Sweepable Low / High-pass effect Filter.
3-band full-cut tone controls:
Kill switches are momentary on/off.
Press SHIFT and a Kill to latch it on.

Direct Serato Deck Controls

Software FX on/off button.
FX knob parameter adjustment:
Turn to scroll through FX.
Press to select the FX.
Hold SHIFT to change the Beats parameter.
LOOP knob selects the loop length.
Press it to engage Auto Loop.
Hold down ROLL for Loop Roll.
LIBRARY knob scrolls songs or crates:
Press to load a song or crate.
Hold SHIFT to tab between song and crate selection.
TRANSFORM joystick:
Press for Transform on/off.
Transform on: any direction cuts the audio.
Transform off: multifunction software control (gray text).

Trigger Serato DJ Cues and Samples

CUES / SAMPLES button toggles between Cues and Samples.
The button is lit when Cues are active.
Four Cues per Deck. The active USB follows the Deck source selection.
Lit button colors match the Cue colors in Serato DJ software.
Press an un-lit button to create a new Cue. Hold SHIFT to delete a Cue.
Six Sample triggers and Bank select buttons (Bank up and Bank down).
A lit button indicates a ready-to-play sample in Serato DJ.
The USB Aux Input is usually from the Serato SP-6 sample player, with it's own Level control, Low / High-pass sweep Filter and headphone cue. The USB Cue overrides any Deck Cue when it's on.

Dual USB Ports for Simple DJ Changeover

With a computer plugged into each USB port, simply switch a mixer Deck selector to USB A or USB B and audio and MIDI are assigned. Seamlessly switch from one DJ to the next using Serato DJ or other 3rd-party audio software.

Each port can stream 20 channels of low-latency audio at 44.1, 48, or 96 kHz.

A typical setup includes two Serato DVS decks, software FX through independent USB digital inserts for each Deck, and the SP-6 sample player on its own USB Aux input.

Deck Cue, Pan, and Split Cue

The Cue slider cues Deck 1 or Deck 2 by moving the slider accordingly. This lets you adjust a Deck volume in the headphones without raising the Deck Gain control.

When Split Cue is off, the Cue / Main Pan knob balances how much stereo cue and stereo main mix you hear in the headphones.

When Split Cue is on, the Cued Deck goes to the left headphone cup and the Main mix goes to the right cup. The Cue / Main Pan knob balances how much Cue (left) and Main (right) is heard in the headphones.

Magnetic Crossfader

The proprietary Rane magnetic fader is fast, accurate, and long lasting. The design uses non-contact technology previously reserved for demanding aerospace and industrial applications. No travel noise—no bleed—ever.

Rane's magnetic faders accurately translate hand motion into precise audio level control. Non-contact fader technology is the only way to fully address the needs of the professional performance DJ.

Includes Serato DJ software

Rane is pleased to announce that our products which previously included Serato Scratch Live software are now fully supported by and include Serato DJ software. DJs currently using Serato Scratch Live with supported Rane hardware have the option to migrate to the new and improved Serato DJ free of charge. If you’re familiar with Scratch Live, the transition to Serato DJ is easy and intuitive. Serato DJ is a free upgrade supporting the Sixty-One, Sixty-Two, Sixty-Eight, SL2, SL3, and SL4.

Serato DJ provides support for DVS (digital vinyl system), iZotope FX, Sync, Slip Mode, more Cue points, jump-to-loop, an improved 24-slot sampler and takes advantage of the high performance, ultra-low latency Rane ASIO and Core Audio drivers. Both programs share compatible song libraries, the same general workflow and deck layout.

Upgrading is optional -- Serato Scratch Live will still work with the Sixty-One, Sixty-Two, Sixty-Eight, SL2, SL3, and SL4. You can have both programs installed, and use one or the other.

Read our blog post about what changes Scratch Live users can expect here.

FIND OUT MORE AND DOWNLOAD SERATO DJ HERE.

Class Compliant Dual USB Ports

Dual USB ports provide simultaneous connection of two computers, enabling back-to-back sets between laptop DJs running different software without compromise or interruption—no easy feat.

The USB ports are 100% class compliant, allowing hook-up to any Mac OSx device without the need for an additional driver.

The included high-performance ASIO driver runs most Windows DAW and DJ software.

MIDI end points are class compliant with both OSX and Windows devices.

Tech Specs

Analog Inputs
4 Stereo unbalanced RCA jacks

Phono or Line level input, rear panel switches for each input.
Max Line Input: 4 Vrms
Phono Response: RIAA ±1 dB, Gain: 31 dB at 1 kHz
Rumble filter: Butterworth 3rd-order Infrasonic
Max Phono Input:126 mV

ADCs
24-bit, 48 kHz; Dynamic range 102 dB A-weighted

DACs
24-bit, 48 kHz; Dynamic range 108 dB A-weighted

Digital Signal Processing
32-bit floating point

USB Audio
Five Stereo Record, Five Stereo Playback

44.1, 48, or 96 kHz, 32-bit floating point

FlexFX
Stereo unbalanced 1/4" TS (tip-sleeve) phone jack send and return

Mic Input
Balanced ¼˝ TRS & XLR combination jack.

Single-knob High / Low Tone control.

Mic / Line level switch to connect a wireless receiver.

Frequency Response
20 Hz to 20 kHz ±0.25 dB, Line in to Line out

Dynamic Range
101 dB A-weighted

THD+N
<0.01% re 0 dBFS, 20 to 20 kHz, 20 kHz BW

Line Outputs
Unbalanced jacks (RCA & FlexFX): Maximum 4 Vrms

Balanced jacks (Main 1/4˝): Maximum 8 Vrms

Internal Universal Power Supply
100 to 240 VAC, 50 Hz to 60 Hz, 15 W max

Unit Size
14˝ x 10˝ x 4˝ (35.6 x 25.4 x 10.2 cm)

8 lb (3.7 kg)

Shipping Size
7.75˝ H x 15˝ W x 19.25˝ D (19.7 x 38.1 x 49 cm)

12 lb (5.5 kg)

Rane Sixty Eight pro dj Club mixer SERATO DJ

Rane Sixty Eight pro dj Club mixer SERATO DJ

Two computers, two USB ports, four decks and a range of effects.

The Sixty-Eight is the ultimate plug-and-play package supporting four-deck digital vinyl simulation, software controls, two USB ports for easy DJ transitions and colloboration, software effects, six built in beat effects, and all the record and playback channels you need. The Sixty-Eight Mixer supports both analog and Digital Vinyl Simulation (DVS) playback. Serato DJ software and manual are included, and the mixer is also compatible with Serato Scratch Live. It includes Rane's ASIO and Core Audio drivers for use with other popular DJ and DAW programs. Four Serato Control Vinyl Records and four Serato Control CDs are included.

Armed with eight selectable inputs, studio-grade phono preamps, USB and S/PDIF inputs, the Sixty-Eight allows a blend of analog and digital audio sources like never before. It features easy internal digital effects with on-beat effect switching, external analog inserts for hardware effects, and USB insert support for software effects.

Internal 22-Channel Sound Card

Why so many channels? The Sixty-Eight is able to simultaneously support control-signal pickup and playback for four DVS Decks, provide USB send and return for software effects insert and record the main mix, all at the same time.

Software controls for Library, Loops, and CUEs

Take advantage of the Sixty-Eight's tight integration with Serato Scratch Live and control the software from dedicated, MIDI mappable controls right on the mixer.

Quickly browse your library and crates to load tracks.
Create, modify and trigger your loops either automatically or manually.
Set and trigger your cue points on the fly.

Dual USB ports for simple DJ change over

The Sixty-Eight allows two computers running Scratch Live to connect to the mixer simultaneously. This allows two DJs to play at the same time and easy DJ handover. Connect both computers to the two USB ports on the Sixty-Eight. On each computer, select a USB Source for each Virtual Deck.

3-band isolator EQs plus High-pass/Low-pass filter for each program channel

Each program channel on the Sixty-Eight has its own dedicated 3-band isolator EQs and dedicated High-Pass/Low-Pass filters. These controls let you take full control of your mix to accurately and precisely cut or boost any component of your track. Use the full cut EQs to tune it just the way you want it, or use the High-Pass/Low-Pass filter knob to quickly cut and boost with one turn. The filter allows you to blend, mix or add a unique effect to your track.

FlexFx Loop with six internal effects, analog loop and USB Insert

The Rane FlexFx Loop on the Sixty-Eight is the ultimate solution for flexible control of your audio effects. The FlexFx Loop is an auxiliary bus dedicated to combining any combination of programs and mics and applying internal, external and software effects. This means you can quickly and easily add and remove audio, apply any of the six built-in, beat synchronized effects, add any external effects processors, and use the software effects of your choosing—all at the same time!

Ultra low latency core audio and asio drivers

Rane’s ultra low latency, multi-client ASIO and Core Audio drivers set the standard for USB streaming devices. These drivers are fast and reliable, and are designed for professionals with demanding needs.

Rane ASIO and Core Audio drivers allow use with multiple third-party software applications that support Core Audio or ASIO. ASIO and Core Audio drivers are multi-client, meaning they allow multiple applications on a computer to share the device at the same time. When using a Rane product with Serato Scratch Live, proprietary Serato Audio Research drivers are used in place of Rane ASIO (Windows) and Core Audio (Mac) drivers. The included Rane drivers are used when Scratch Live is not running.

Take these industry standard drivers and unleash your Rane audio device on any professional software package of your choice.

Includes Serato DJ software

Rane is pleased to announce that our products which previously included Serato Scratch Live software are now fully supported by and include Serato DJ software. DJs currently using Serato Scratch Live with supported Rane hardware have the option to migrate to the new and improved Serato DJ free of charge. If you’re familiar with Scratch Live, the transition to Serato DJ is easy and intuitive. Serato DJ 1.6 is a free upgrade supporting the Sixty-One, Sixty-Two, Sixty-Eight, SL2, SL3, and SL4.

Serato DJ provides support for DVS (digital vinyl system), iZotope FX, Sync, Slip Mode, more Cue points, jump-to-loop, an improved 24-slot sampler and takes advantage of the high performance, ultra-low latency Rane ASIO and Core Audio drivers. Both programs share compatible song libraries, the same general workflow and deck layout.

Upgrading is optional -- Serato Scratch Live will still work with the Sixty-One, Sixty-Two, Sixty-Eight, SL2, SL3, and SL4. You can have both programs installed, and use one or the other.

Read our blog post about what changes Scratch Live users can expect here.

UPDATE! SERATO DJ 1.6.1 HAS WINDOWS 8 SUPPORT.
Find out more and download Serato DJ here.

Tech Specs

Analog Inputs
4 Stereo, Unbalanced RCA jacks

Phono, Line-Level, or S/PDIF Input

Rear panel switches for each input

Phono Response

RIAA ±1 dB, Gain: 35 dB at 1 kHz

Max Phono Input

115 mV

Max Line Input

4 Vrms

Analog Inputs
16-bit or 24-bit PCM only

SRC output is always 24-bit

Input sample rate

16 kHz to 144 kHz

SRC output sample rate is always 48 kHz

ADCs
24-bit, 48 kHz; Dynamic range 101 dB A-weighted

DACs
24-bit, 48 kHz; Dynamic range 107 dB A-weighted

Digital Signal Processing
48 kHz, 32-bit floating point

USB Audio
Six Stereo Record, Five Stereo Playback

48 kHz, 32-bit floating point

Mic Input
Active Balanced: 1/4" & XLR combination jack

Tone Controls: 2-Band

Mic 1 has +48V Phantom Power on/off switch

Mic 2 has Mic/Line-level switch

Line Outputs
Frequency Response

20 Hz to 20 kHz ±0.25 dB, Line in to Line out

THD+N

<0.01% re 0 dBFS, 20 to 20 kHz, 20 kHz BW

Unbalanced jacks maximum

4 Vrms (RCA & FlexFX)

Stereo balanced jacks maximum

8 Vrms (Main & Booth)

FlexFX Return
Unbalanced 1/4" TS (tip-sleeve) phone jacks

FlexFX Send
Unbalanced 1/4" (tip-sleeve) TS phone jacks

Internal Universal Power Supply
100 to 240 VAC, 50 Hz to 60 Hz, 15 W max

USB Power
Mixer is self-powered.

Unit Size
14.3"H x 12"W x 4"D (36.4 cm x 30.5 cm x 10.2 cm)

Weight

11.3 lb (5.2 kg)

Shipping Size
7.75"H x 15"W x 19.25"D (19.7 cm x 38.1 cm x 49 cm)

Weight

16 lb (7.26 kg)

NEW: Rane Sixty-Four Pro DJ Mixer is designed for seamless plug-and-play connectivity and integration with Serato DJ. [ Coming this October / November 2013 ]

NEW: Rane Sixty-Four Pro DJ Mixer is designed for seamless plug-and-play connectivity and integration with Serato DJ. [ Coming this October / November 2013 ]

Price will be announce soon : )

The Rane Sixty-Four is designed for seamless plug-and-play connectivity and integration with Serato DJ.
A professional, four-channel club mixer with dual USB ports, it allows two computers to be connected simultaneously, making for effortless DJ changeover and back-to-back performance. Building on 10 years of collaboration with Serato, the Sixty-Four supports Serato NoiseMap™ Vinyl and CDJ control in Serato DJ, and is built to Rane’s high standards of quality and performance.
Serato DJ software controls built-in. Control Cue Points, Auto-Loops and Loop Rolls, browse through Crates and load tracks, engage Sync, Slip Mode and trigger samples with the SP-6 Sample Player.
As well as the natively mapped Serato DJ controls, there are two custom MIDI layers that can be mapped to your own preference.
Powerful hardware FX (Filter, Flanger, Phaser, Echo, Robot, Reverb), individual channel filters and a USB insert to take advantage of the post fader software FX, powered by iZotope.
The Rane Sixty-Four also features faders and EQs natively mapped for Serato Video control.
High quality 32bit floating point, 48kHz sound card for great sound output quality and recording.
Available October/November 2013.
For more information please visit serato.com/hardware/rane-sixty-four

Rane 61, 62 and 62z PRO DJ Mixer series [ May 2012 ]

Rane 61, 62 and 62z PRO DJ Mixer series [ May 2012 ]

Rane launching three new mixers to the world. The 61,62, and the 62z. They make very solid, American made gears that has a good feel and sound, here some general info on them.

The Rane Sixty-Two is a plug-and-play package supporting two computers, 2-deck digital vinyl simulation, SP-6 sample player, software and hardware effects and all the record and playback channels you need. Software controls for Library, Loops, Cues and SP-6 are laid out for fast and intuitive access. Choose the Sixty-Two and join a community of users dedicated to advancement of the art.

stay tune for official spec view

Rane SL 2 for Scratch Live [ NEW May/June 2011 ]

Rane SL 2 for Scratch Live [ NEW May/June 2011 ]

The Rane SL 2 for Serato Scratch Live is a compact, professional two-deck interface packed with creative features to give DJs a competitive edge.

WHAT IS THE RANE SL 2?
The Rane SL 2 for Serato Scratch Live is a compact, professional two-deck interface packed with creative features to give DJs a competitive edge.

Boasting high quality 48 kHz, 24-bit audio, the Rane SL 2 outputs a warm, punchy sound that you have to hear to believe.

With high speed USB 2.0 connection, ASIO and Core Audio drivers, and galvanic isolation to ensure interference-free signal; the Rane SL 2 packs a massive punch.

Features
Inputs for two deck mixing on turntables or CD decks.
Two software-switchable analog Thru connections for regular vinyl or CD.
Studio-grade phono preamps, and 48kHz 24-bit audio processing for superior sound quality.
Advanced, low latency USB 2.0 drivers
Built-in galvanic isolation to eliminate computer noise and interference.
Compact and ultra rugged hardware for portability and simple setup.
ASIO and Core Audio Drivers for studio production with third-party software.
Bus power from USB port or with optional external power supply*
*7.5VDC power supply

The Rane SL 2 is the replacement for the Rane SL 1. The Rane SL 1 is no longer in production, but owners will continue to receive technical support and free software updates.

Get all the details at Rane.com.

Rane MP25 Club Mixer

Rane MP25 Club Mixer

Meet the Rane MP25 mixer, satisfying the audio and ergonomic demands of performing DJs, in a 19˝ rack format preferred by nightclubs, with a compact 4U design that drops easily into a mobile rig. It's the same height as a classic Rane MM 8z, MP 24 or MP 22 series Mixer.

Sporting two microphone inputs, four studio-grade phono preamps, four analog aux inputs, four low-latency stereo USB inputs, analog and USB effects insert loops, and a variety of analog and digital outputs; the MP25 remains rooted in analog tradition while reaching new heights of digital connectivity.

Reliable, low-latency, multi-client ASIO and Core Audio drivers interface the MP25's twenty-two USB audio channels directly to your favorite multi-track mixing, beat-making, looping, effects, and recording applications. Additionally, the MP25's front panel controls are MIDI enabled, allowing manipulation of software parameters directly from the mixer's control surface.
The MP25 mixer ships March 2011.

FRONT PANEL

Inputs

* Four individually switchable stereo Phono/Line inputs.
* Four stereo Auxiliary inputs.
* Four stereo USB playback inputs.
* Two microphone inputs with optional Talkover ducking:
o One with front and rear panel connectors.
o One with a line-level input option.
o Engage a mic to put it into the mix, or engage Talkover to put the mic in the mix and duck all other sources. Talkover makes it easy to jump into the mix for quick, intelligible announcements.

Outputs

* Stereo Main Outputs on balanced XLR and unbalanced RCA:
o Rear panel Mono/Stereo switch.
o Rear panel Max Out level attenuator.
* Stereo balanced 1/4" TRS Zone and Booth outputs:
o Auto-mono output on both Left and Right jacks.
* Stereo Record outputs on RCA, S/PDIF and USB.

REAR PANEL

SIDE PANEL

The MP25 fits in a 19" rack, the same height as a MM 8z, MP 24 or MP 22 series Mixer. The jacks are recessed, allowing connectors to fit inside a mobile coffin. Click on any image for a full-size JPG to read the dimensions.

MP25 Club Mixer's USBUSB ASIO Core Audio

* 22 streaming USB audio channels.
* Four stereo playback channels stream audio directly from your favorite playback, mixing, beat-making, and looping applications to the MP25's digital mixer engine.
* Four stereo record channels stream the four post-fader program channels to your audio application for multi-track recording.
* A fifth stereo record channel streams Mic 1, Mic 2, or the Main Mix to your recording application.
* The USB Effects Loop enables insertion of any available stereo computer-based VST effects processors into the MP25's powerful FlexFX bus.
* Low-latency ASIO / Core Audio drivers eliminate delay between the control input to audio software and the audible result.
* Multiclient ASIO / Core Audio drivers allow multiple software applications to simultaneously stream audio to and from the mixer.
* The MP25 MIDI device exposes the MP25 front panel as a MIDI controller, allowing control of audio application parameters using the mixer's control surface.

Installing the ASIO or Core Audio driver creates the MP25 Control Panel in your computer, which also include MIDI implementation (control numbers in red).

Third-Party SoftwareUSB ASIO Core Audio

ASIO and Core Audio software applications are compatible with the MP25, which includes a low-latency, USB 2.0, high-speed, 10-input, 12-output audio interface. The MP25 front panel controls are MIDI-mappable in supporting software. Features will vary between software programs.

For example, in Ableton Live, the MP25 can be used as a multichannel sound card and MIDI controller. You can stream audio from four different audio tracks from Ableton to separate channels of the MP25 mixer, including a dedicated USB audio channel for FlexFX routing, and simultaneously record multitrack or stereo audio back into Ableton Live.

The MP25 ASIO and Core Audio drivers require the following minimum system capabilities:

* PC: XP, Vista, Windows 7.
* Mac: OS X 10.5 or higher.
* System Memory: 2 GB or more.
* Processor: 2 GHz single core or better.

Third-party ASIO and Core Audio DJ software links:

* PCDJ
* Ableton
* Traktor
* Fruity Loops
* Virtual DJ

Links will be added and updated, so please check back.

MP25 FlexFX

The FlexFx architecture in the MP25 is more powerful than typical effect insert solutions. The architecture includes the FlexFx Bus, an auxiliary bus routed to the FlexFX Loop which includes two independent effects inserts. Any combination of PGM 1-4 and Mic 1-2 may be routed to the FlexFX Bus. Any combination of external analog and USB effects may be applied within the FlexFX Loop. It's possible to cue and meter the FlexFX Loop return. You may also bypass the entire FlexFX Loop using a single button to instantly punch in and out a combination of effects. The final FlexFX Level controls the amount of the FlexFX audio in the Main Mix. The FlexFX architecture allows you to quickly apply any combination of effects to a variety of sources to produce unique, compelling mixes on the fly.

The order of processing in the MP25's FlexFx architecture is:

1. Independent FlexFx assign for PGM 1-4 and Mic 1-2, or assign all sources simultaneously with the Main FlexFX button.
2. Ext. Analog Insert, with Send and Return Levels.
3. USB Insert.
4. FlexFX Loop return Cue and Meter.
5. FlexFx On (FlexFX Loop Bypass).
6. FlexFx Mix Level control.

External Audio Effects — Any stereo effects unit connected to the Send and Return can be inserted independently or in combination with other effects. The external analog loop includes Send and Return Levels to match mixer and processor audio levels.

USB Effects — Your favorite VST effects plug-ins on your computer can be inserted independently or in combination with other effects using the FlexFX USB Insert.

MP25 Tone Controls

Parameter Specification
Phono/Line, Aux, FlexFX Inputs 4 stereo unbalanced RCA jacks
.....Phono or Line Level Rear panel switch for each Phono/Line input
.....Phono Response RIAA curve ±1 dB, Gain = 36 dB @ 1 kHz
.....Max Phone Input 63 mV @ 1 kHz
.....Max Line Input 4 Vrms
Mic Inputs Balanced 1/4" TRS & XLR combination jacks
.....Mic 1 Front and rear panel jacks
.....Mic 2 Rear panel jack with Mic/Line-level switch
.....Max Input (Mic Level) 185 mVrms (-12.5 dBu)
.....Max Input (Line Level) 3.7 Vrms (13.6 dBu)
.....EIN (Equivalent Input Noise) -110 dBu
FlexFX Unbalanced 1/4" tip-sleeve
.....Send Auto-mono, Left and Right Output jacks
.....Return Auto-mono, Left and Right Input jacks
Outputs: Main, Zone, Booth, Record, FlexFX

Balanced XLR & 1/4" TRS,
unbalanced RCA and 1/4" TS
.....Frequency Response 20 Hz to 20 kHz, +0.25 dB / -1.5 dB
.....THD+N <0.03% re 0 dBFS, 20 to 20 kHz, 20 kHz BW
.....RCA and Unbalanced 1/4" TS Max output 4 Vrms
.....XLR and Balanced 1/4" TRS Max output 8 Vrms
.....Zone/Booth Auto-mono, left and right jacks
.....Main Output Mono switch, rear panel attenuator (0 to -24 dB)
Dynamic Range, Line In to Line Out 100 dB A-weighted
Analog to Digital Converters (ADCs)

24-bit, 48 kHz
Dynamic range 101 dB A-weighted
Digital to Analog Converters (DACs) 24-bit, 48 kHz
Dynamic range 107 dB A-weighted
Digital Signal Processing (DSP) 48 kHz, 32-bit, floating-point
USB Audio 48 kHz, 32-bit, floating-point
.....Stereo Record Channels 6
.....Stereo Playback Channels 5
Universal Internal Power Supply 100 to 240 VAC, 50 Hz to 60 Hz, 12 W max
USB Power Mixer is self-powered
Unit: Agency Listing UL / cUL Listed, E193164
..........Construction All Steel
..........Size (Inches) 7" (4U) H x 19" W x 4.6" D
..........Size (Metric) 17.8 cm x 48.3 cm x 11.7 cm
..........Weight 9.1 lb (4.14 kg)
Shipping: Size (inches) 21.5" L x 11.875" W x 7.25" D
..........Size (metric) 54.6 cm x 30.2 cm x 18.4 cm
..........Weight 14 lb (6.35 kg)