Tuesday, July 28, 2015

Zoom H6 Handy Field Recorder w/ Interchangeable Mics

Zoom H6 Handy Field Recorder w/ Interchangeable Mics


Features
Four interchangeable input capsules—X/Y, MS, Shotgun, and Dual XLR/TRS Combo—make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too.

Whatever your application—live recording, professional film/video work, or broadcast ENG (electronic news gathering), etc.—the H6 can handle it with ease.

Main Features:
Interchangeable input capsules that can be swapped out as easily as the lens of a camera
Six-track simultaneous recording
Four mic/line inputs with XLR/TRS combo connectors
Gain controls (real knobs!) and -20dB pads for each input
Phantom power for all main inputs: +12/+24/+48V
Large full-color LCD display, angled so it's easy to read in all environments
Records directly to SD, SDHC and SDXC cards up to 128GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
Multitrack to stereo internal mixdown
Independent monitor and playback mixes
Virtual VU meters
Voice memo and up to 99 marks per recording
Overdubbing, up to 99 takes
Built-in effects, including low-cut filtering, compression and limiting
Onboard MS decoding
Normalize, Divide and Trim editing
Chromatic tuner and metronome
Loop Playback with user-defined start and stop points
Variable playback speed, from 50% to 150%
Variable pitch per track without affecting playback speed
USB port for data exchange to and from computer
Multichannel and stereo USB audio interface for PC/Mac/iPad
Camera strap mounts
Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapterz
Accepts standard AA alkaline or NiMH rechargeable batteries
Over 20 hours of operation with 4 AA alkaline batteries

Description
Inputs
The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo ?" Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted.

All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or ¼" balanced or unbalanced phone cables. They can handle both mic- and line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.

Each of the six inputs (that is, 1-4 as well as L, R) has a dedicated gain control knob. In addition, the four main inputs and the EXH-6 capsule feature a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion-free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.

If you're using high-quality condenser (powered) microphones with the H6, no problem—a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule's stereo ?" Line In jack.

Outputs
The H6 Line Out is an unbalanced stereo ?" phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6's internal mixer.

The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the "Audio Interface" function in the USB menu.

In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to the stereo ?" mini phone jack for private monitoring of the stereo output signal.

The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output.

A little X, a little Y, a whole lotta stereo.
The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording.

The supplied XYH-6 X/Y capsule adds two matched high-quality unidirectional microphones to your H6. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579" = 14.6mm) of any ever available on a portable recorder.

Mid-side magic
Enter MS ("Mid-Side") recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on.

Although the H6's supplied MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides).

The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side.

The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well.

File types supported
The H6 can record audio in two different basic file types: WAV and MP3.

The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any "bits" (digital words) being removed. Thus, they provide full fidelity without compromise. The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats:

44.1kHz / 16-bit
44.1kHz / 24-bit
48kHz / 16-bit
48kHz / 24-bit
96kHz / 16-bit
96kHz / 24-bit
All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are "BWF-compliant." This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in post-production.

MP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances.

Note that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6's internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 or WAV, with independent control over each track's level, panning and pitch.

Never miss a take: Pre-Record, Backup-Record, and Auto-Record.
Pre-Record
The interview started a split-second before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon.

No problem… as long as you're using the H6. Its Pre-Record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It's as if the H6 had started recording two seconds before you actually got to hit the button.

Backup-Record
Backup-Record—the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine.

You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you'll hear the original L/R tracks; when turned ON, you'll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved.

Auto-Record
The Auto-Record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn't immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you've set, recording begins.

There's an equivalent Auto-Record Stop function, too. When turned ON, as soon as incoming signal drops below the Stop Level you've set, recording ends.

Onboard effects
The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment.

A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble.

Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds below a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely.
The H6 allows you to choose from three compressor settings and three limiter settings. The two "General" settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room "studio" recording, respectively.

In addition, there's an onboard metronome and chromatic / guitar / bass tuner—both handy tools when recording musical content.

Battery life and recording times. (Subhead)
The H6 requires just 4 AA batteries—either alkaline or rechargeable NiMH—for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket.

The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage.

Using the H6 as an audio interface. (Subhead)
The H6's USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE , and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required).

When the H6 is set to "Stereo Mix" in the USB menu, it acts as a 2-input / 2-output interface; when set to "Multi Track," it acts as a 6-input / 2-output interface. The H6's onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad, enabling monitoring with zero latency (that is, without any delay). There's also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track.

Live concert recording (Sub-subhead)
The illustration shows how you might typically use the H6 for live concert recording. Here, the XYH-6 X/Y capsule is being used to capture the onstage performance in stereo. In addition, a stereo feed from the mixer is being sent to inputs 1 and 2 in order to record the board sound, and a pair of external mics is connected to inputs 3 and 4 to capture the audience sound.

Location videography (Sub-subhead)
In the example shown in the illustration, the MSH-6 MS capsule is being used to capture the main sound source in stereo, with external boom and lavalier mics (connected to Inputs 1 and 2) focused on the talent providing narration. Another pair of external mics is connected to inputs 3 and 4 and is being used to record a second stereo image, this one of the other performers in the scene. By using the MS capsule, you can then use the H6's onboard MS decoder to adjust the width of the main stereo image in post-production.

ENG (Sub-subhead)
The H6 is the perfect audio companion for anyone doing ENG work, especially when it is used with the optional SGH-6 Shotgun mic capsule, as shown in this example. Here, the SGH-6 is being used to capture the news event itself, recorded on the L/R track. Because shotgun mics have a narrower focus (sometimes referred to as more "reach") than an average microphone, the SGH-6 is the perfect choice when covering late-breaking news at a distance. In addition, the SGH-6 does a great job of picking up the frequencies produced by the human voice.

Two external handheld mics for the interviewer and interview subject are plugged into Inputs 1 and 3, with backup external lavaliers plugged into Inputs 2 and 4. The H6's onboard effects and powerful mixing functions make it the ideal field mixer; the low-cut filter can be used to reduce wind noise, and the compressor/limiter can be used to condense the dynamic range and thus make the audio more television-friendly. The six recorded tracks can then be mixed down internally to a stereo MP3 file for microwave or satellite transmission to the broadcast facility.

Rehearsal recording (Sub-subhead)
Want to record your band as they rehearse? No problem, especially if you plug in the optional EXH-6 Dual XLR/TRS capsule, which allows six discrete mic- or line-level connections to be made to your H6.

In this example, a stereo submix of the mics covering the drum kit is being fed from the PA mixer to the L/R inputs of the H6 via the EXH-6. The four main inputs are used as follows: the lead singer's mic is connected to Input 1; a microphone positioned in front of the guitar amp is connected to Input 2; a direct signal from the bass player's active electric bass is connected to Input 3; and an electronic keyboard is connected to Input 4. Thus, each instrument and vocal is receiving a track of its own (or, in the case of the drums, two tracks).

Being able to spread your instruments and vocals over six tracks instead of four gives you an extra degree of flexibility that other handy recorders cannot provide. As you listen back to your song, new musical ideas may spring to mind, and that's where the H6's powerful overdubbing function comes into play, because it allows any of the tracks to be redone—up to 99 different takes—meaning that you can reshape your song after the fact.

Zoom H5 Portable Handheld Field Recorder w/ Interchangeable Microphone System

Zoom H5 Portable Handheld Field Recorder w/ Interchangeable Microphone System


Zoom H5 Portable Handheld Recorder

Evolved recording in more ways than one.

Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering.

X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.

Interchangeable capsules that can be swapped out as easily as the lenses of a camera
The H5's modular design means that you can always use the best microphone for every recording environment.

The Hardware

User Interface
In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.

Inputs

 The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards—even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.

Outputs
There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.

Power and Storage
Just 2 AA batteries—either alkaline or rechargeable NiMH—are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files.

The Software

File Types
The H5 can operate in two different modes—choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)—and it captures audio in the two most commonly used file formats: WAV and MP3.

The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites—allowing you to quickly and easily share your creations around the world.

* 96kHz sampling rate available in stereo mode only

Signal Processing

The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner.

Other features
But the list of H5 features doesn't end there. There's playback looping, pitch change and variable playback speed (without pitch change) to help with phrase training. A pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD.

There’s an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record—the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine!

You can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Cubase LE or WaveLab LE software, and start creating a masterpiece.

* 44.1 and 48kHz WAV files only.
** Apple Camera Connection Kit required.

Attach to a video camera as an external microphone.

The H5 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo mic design brings additional realism and depth to HD video. By attaching the H5 to a DSLR video camera with an optional hot shoe mount (HS-1), you can create a professional video system with high-quality sound.

Features:

• Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
• Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
• Compatible with all Zoom input capsules
• Four-track simultaneous recording
• Large backlit LCD display
• Records directly to SD and SDHC cards up to 32GB
• Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Two mic/line inputs with XLR/TRS combo connectors each with selectable phantom power and -20dB pad
• Analog-style gain controls for each input
• Protective "roll-bar" type covers prevent accidental movement of gain controls
• Plug-in power (2.5 volts)
• Built-in effects, including low-cut filtering, compression and limiting
• Chromatic tuner and metronome
• Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
• MS decoding
• Multitrack to stereo internal mixdown
• Normalize, Divide and Trim editing
• Voice memo and up to 99 marks per recording
• A/B loop playback
• Variable playback speed and variable pitch without affecting playback speed
• Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
• Mountable to DSLR or camcorder with optional HS-1 Hot Shoe Mount adapter
• Uses two standard AA alkaline or NiMH rechargeable batteries
• Over 15 hours of operation with alkaline batteries

What's In the Box?

Operation manual
XYH-5 X/Y mic capsule
SD card (2GB)
AA size (LR6) battery x 2
USB cable
Foam windscreen
Case
​Steinberg WaveLab LE software download
Steinberg Cubase LE software download
Optional Accessories

SGH-6 Shotgun mic capsule
EXH-6 Dual XLR/TRS Combo capsule
HS-01 Hot Shoe Mount adapter
APH-5 Accessory Pack includes RCH-5 wired Remote Controller,
AD-17 USB-type AC adapter and Hairy Windscreen

Zoom H4nSP H4N Handy Portable Field Digital Recorder X/Y Mics

Zoom H4nSP H4N Handy Portable Field Digital Recorder X/Y Mics


The world acclaimed H4n is now available in a new package.

Creators have found the H4n to be the most trustworthy field recorder available. Used by videographers, musicians, bloggers, ghost-hunters, podcasters, educators, and journalists everywhere, the ultra-portable H4n's 4 tracks of high quality audio make it an essential audio companion for everyone.

The H4n at a Glance

Onboard X/Y Mics:
High quality with easy to set selectable recording width (90 and 120 degrees)

2 XLR/TRS Inputs:
Connect mics, instruments, and line level devices for added possibilities

24-bit/96kHz Recording:
High resolution audio

Expanded Capabilities:
Built-in effects, audio interface mode, and onboard speaker make it the recorder of choice

Great on Location

The H4n's onboard X/Y microphone delivers stunning stereo and its dual input combo connectors allow you to use your choice of external microphones as well.

WAV files recorded with the H4n—up to 24-bit, 96kHz—are automatically time-stamped to ensure perfect sync with your video footage, while built-in multi-effects and MS (Mid-Side) decoding gives you plenty of options in postproduction. With the use of our optional HS-1 Hot Shoe adapter, you can even mount the H4n directly to your camera.

Instant Studio

The H4n transforms any rehearsal room into a recording studio. Connect mics and line level devices like electronic keyboards—even electric guitar or bass—and record up to four tracks of digital audio simultaneously, then bounce the tracks down to stereo or mono for additional overdubbing with no loss of quality.

Punch-in features and onboard effects such as compression, limiting, reverb, and guitar and bass amp modeling enable you to quickly and easily turn your musical ideas into full-fledged productions. You can even convert your finished song to an MP3 file for emailing and posting to your favorite social site.

Live Recording

Capture the sound of concerts, rehearsals, meetings, or lectures. The H4n's built-in X/Y microphone allows you to record natural-sounding stereo with a strong center image, and the angle of its two matched unidirectional mic elements can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image. (US Patent 8184815).

In addition, dual combo XLR/TRS input jacks—complete with phantom power—allow you to use a wide variety of external microphones and to connect line-level signals such as a feed from a mixing board.

H4n Inputs and Outputs

Inputs
Dual XLR/¼" combo input jacks allow you to connect microphones, line-level signals, or even instruments directly into the H4n. Phantom power of +24 or +48 volts can be applied to both inputs, allowing the use of condenser mics. There's also a secondary stereo ⅛" input for the connection of microphones requiring 2.5 volts of Plug-In Power.

Outputs
A stereo ⅛" Line/Phone Out with dedicated volume control allows private monitoring over headphones as well as connection to the audio input of your DSLR—the H4n even has a built-in speaker for fast monophonic monitoring without the need to make any connections. In addition, a USB port allows recorded audio to be sent your favorite DAW and/or editing software and enables the H4n to act as a 2-in/2-out computer interface.

Pre-Record and Auto-Record

Pre-Record
The H4n's Pre-record function ensures that you'll never miss the start of a great take. It automatically keeps the H4n silently but continuously recording in the background, all the time, keeping the previous two seconds* of audio whenever you hit RECORD.

*One second when recording at 96k in 4CH mode.

Auto Record
When enabled, Auto Record sets the H4n to automatically starts recording at a level of sound. An equivalent Stop function can be used to end recording as soon as incoming signal drops below a certain threshold.

Onboard Effects

Effects can make all the difference. They make your recordings sound professional and polished, and can be used both to enhance audio and to compensate for acoustic problems in the recording environment.

The H4n offers a variety of effects, ranging from compression and limiting to reverb, delay, echo, and a low-cut filter for the elimination of wind noise, pops and other kinds of unwanted low frequency noise. There's also an onboard metronome and tuner, along with dozens of effects crafted especially for guitar and bass, such as amp models. In addition, playback can be looped and the playback speed varied without pitch change (or vice versa), making the H4n perfect for phrase training.

File Types

Audio recorded with the H4n is stored in your choice of WAV or MP3 format. WAV files are uncompressed and full fidelity, and thus provide optimum quality. The H4n provides support for 16 and 24-bit WAV audio at sampling rates of 44.1, 48, or 96kHz. In addition, H4n WAV files are automatically time-stamped, making them Broadcast Wave Format (BWF) compliant, allowing precise synchronization in post-production.

MP3 recordings are compressed, removing unnecessary data so that they require less storage space and are easier to upload and download.

Battery Life

The H4n requires just 2 AA batteries—either alkaline or rechargeable NiMH. Battery life when using alkaline batteries is up to 6 hours in normal operation, or up to 11 hours when operating in STAMINA mode. Alternatively, an optional AD-14 AC adapter allows the H4n to be powered from any standard wall outlet.

Recording Times

The H4n records directly to SD and SDHC cards, up to 32 gigabytes. The charts below show maximum recording times for different file types and card sizes.

Using the H4n as an Audio Interface

A built-in USB port allows the H4n to serve as a 2-input / 2-output audio interface for any PC or Mac computer. Simply launch your favorite DAW or use the supplied Cubase LE software download, and start creating—you can even apply onboard effects to live incoming signal.*

*When operating at a 44.1k sampling rate.

State of the art editing with every recorder

The Zoom H4nSP comes with free download licenses for Sternberg’s Cubase LE music production software and WaveLab LE audio editing software, providing not just the ability to capture superior audio in every box, but to do spectacular things with it.

Whether you wish to create your own music utilizing the Handy Recorder’s USB audio interface function or take your recordings to a more professional level, Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom Handy Recorder purchase.

Currently shipping with:
Cubase LE7 for Mac OS X 10.7, 10.8, 10.9 and Windows 7/8
Wavelab LE8 for Mac OS X 10.7, 19.8 and Windows 7/8

Features

Includes H4n Handy Recorder, protective case, two AA batteries, owners manual, and download license for Steinberg Cubase LE and WaveLab LE software

Four-track simultaneous recording

Built-in X/Y stereo mic, adjustable between 90˚ and 120˚

Onboard MS decoding

Dual mic/line/instrument level inputs with XLR/TRS combo connectors

Stereo ⅛" Mic/Line In mini phone jack

+24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line In mini phone jack

Output/headphone jack with dedicated volume control

Built-in reference speaker for fast monitoring

Large 1.9 inch backlit LCD display

Records directly to SD and SDHC cards up to 32GB

Supports up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats

Auto-record and Pre-record features

Internal mixdown: four-track to stereo and stereo to dual mono

Up to 99 marks per recording

Flexible overdubbing and punch-in/out

Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models

Normalize (maximum gain) and Divide (file splitting) functions

Chromatic tuner and metronome

Loop playback with user-defined start and stop points

Variable playback speed, from 50% to 150%, without affecting pitch

Variable pitch without affecting playback speed

USB port for data exchange to and from computer

2-in/2-out USB audio interface for PC/Mac computers

SD card reader function

Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter

Runs on only 2 standard AA alkaline or NiMH rechargeable batteries

Up to 6 hours of operation with 2 AA alkaline batteries (up to11 hours in Stamina mode)

System Requirements

Specifications
Number of simultaneous recording tracks::

2 (STEREO mode), 4 (4CH mode), 2 (MTR mode)

Number of simultaneous playback tracks:

2 (STEREO mode), 4 (4CH mode), 4 (MTR mode)

Recording time 4GB (SDHC):

Approx. 380 minutes (WAV 44.1 kHz/16 bit stereo track)

Approx. 68 hours (MP3 44.1 kHz/128kbps stereo track)

* Recording times are approximations. Actual times may differ according to recording conditions.

Maximum number of simultaneous recording files size:

2GB

Projects:

1000/card

Locate function:

Hours/Minutes/Seconds/Milliseconds

Other functions:

Punch-in/out, Bounce, A-B repeat

Effects modules:

2

STEREO / 4CH Mode: LO CUT, COMP/LIMITER

MTR Mode PRE AMP module, EFX module

Types:

50

Patches:

60

Tuners:

Chromatic, Guitar, Bass, Open A/D/E/G, DADGAD

Metronome sound sources:

5

Variable beat:

1/4 - 8/4, 6/8, unaccentuated

Tempo:

40.0 - 250.0 BPM

A/D conversion:

24 bit × 128 oversampling

D/A conversion:

24 bit × 128 oversampling

Recording media:

SD card (16MB - 2GB), SDHC card (4GB - 32GB)

Display:

128 x 64 dots Full-dot backlit LCD

DATA TYPE - WAV FORMAT (RECORD/PLAY)

Quantization:

16/24 bit

Sampling frequency:

44.1 / 48 / 96 kHz

DATA TYPE - MP3 FORMAT (RECORDING)

Bit rate:

48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 kbps, VBR

Sampling frequency:

44.1 kHz

DATA TYPE - MP3 FORMAT (PLAYBACK)

Bit rate:

48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 kbps, VBR

Sampling frequency:

44.1 / 48 kHz

INPUTS

Input [1] [2]:

XLR (balanced input) / standard phone (unbalanced input) combo jack

Input impedance:

(Using balanced input) 1 kΩ balanced, pin 2 hot

(Using unbalanced input) 480 kΩ unbalanced

Input level:

(Using balanced input) −10 dBm to -42 dBm

(Using unbalanced input) +2 dBm to -32 dBm

Built-in stereo mic:

Unidirectional condenser microphone

Gain: +7 dB to +47 dB

External mic:

Mini stereo phone jack

Input impedance: 2 kΩ

Input level: -7 dBm to -47 dBm

OUTPUTS

Line/phone:

LINE Output load impedance: 10 kΩ or more

Rated output level: -10 dBm

PHONE: 20 mW+20 mW (into 32-Ω load)

Monaural speaker:

400 mW 8 Ω

Phantom power:

48 V, 24 V, OFF

USB:

USB 2.0 High Speed Mass Storage Class operation, Audio interface operation

(USB functions can be operated by USB bus power)

Power requirements:

DC 5 V 1A AC from AC adapter ( ZOOM AD-14)

Batteries:

IEC R6 ( size AA ) x 2

Continuous recording time:

6 hours (STEREO/4CH/MTR mode)

11 hours (STAMINA mode)

Dimensions:

73 (W) × 156.3 (D) × 35 (H) mm

Weight:

280 g

* 0 dBm = 0.755 Vrms * Design and specifications subject to change without notice.

Friday, July 24, 2015

Denon DJ DS1 Serato Digital Vinyl Audio Interface Soundcard

Denon DJ DS1 Serato Digital Vinyl Audio Interface Soundcard


Professional 2-channel Serato DJ DVS interface

At the core of the all-new DS1 is a bi-directional audio interface with two sets of RCA stereo inputs for turntables or professional CD players. As users manipulate the vinyl or CD NoiseMap signal, Serato DJ software mirrors the control signal-controlling digital tracks on-screen in real-time for beatmatching, cueing, scratching, and track juggling. Playback audio is distributed by the DS1 to a mixer or loudspeaker system in studio-grade 24-bit quality via two sets of RCA stereo outputs.

Denon DJ's DS1 is smaller than most smartphones, making it an ideal companion for the travelling DJ. The rugged, all-metal construction easily survives constant transport, setup, and breakdown DJs endure. A single USB cable handles power and audio duties, greatly simplifying operation. Inputs are phono/CD selectable with a grounding post for turntable use.
Features

Premium Digital Vinyl System (DVS) interface for Serato DJ
Interfaces turntables and CD players using Serato NoiseMap with a Serato DJ-based digital music library
Plug and play with Serato DJ-no purchase necessary
2 sets of stereo RCA inputs and outputs for left and right decks
Studio-grade 24-bit digital to analog conversion
Supports 44.1kHz, 48kHz, and 96kHz sampling rates
Dedicated grounding post for use with turntables
Single USB cable connection to a computer for power and audio
Includes 2 Serato NoiseMap control tone vinyl records and CDs
Includes USB and stereo RCA cables
Rugged, all-metal construction; carrying case included

Thursday, July 23, 2015

SHOWROOM DISPLAY - Native Instruments Traktor Kontrol S4 MK1 dj controller for sale!!! with All Cables

SHOWROOM DISPLAY - Native Instruments Traktor Kontrol S4 MK1 dj controller for sale!!! with All Cables

Serious buyer only!

RM 2,800 (LIKE NEW UNIT+Tip Top Condition)

PM ! or Whatsapp only: +6012-220 9931

SHOWROOM DISPLAY - Vestax VCI 300MK2 dj controller for sale!!! with All Cables

SHOWROOM DISPLAY - Vestax VCI 300MK2 dj controller for sale!!! with All Cables

Serious buyer only!

RM 2,300 (LIKE NEW UNIT+Tip Top Condition)

PM ! or Whatsapp only: +6012-220 9931

Studio Used - Pioneer DVJ X1 DVJ PLAYER for sale IN 2 UNITS !!! with All Cables.

Studio Used - Pioneer DVJ X1 DVJ PLAYER for sale IN 2 UNITS !!! with All Cables.


Serious buyer only!

RM 5,500 (LIKE NEW UNIT+Tip Top Condition)

PM ! or Whatsapp only: +6012-220 9931

Wednesday, July 22, 2015

Home Used - Numark NS7ii Serato DJ Controller for sale!!! with Box/Menu/All Cables.

Home Used - Numark NS7ii Serato DJ Controller for sale!!! with Box/Menu/All Cables.

Serious buyer only!
RM 4,900 (LIKE NEW UNIT+Tip Top Condition)

PM ! or Whatsapp only: +6012-220 9931

Monday, July 20, 2015

SHOWROOM DISPLAY - PIONEER DDJ SX2 Black dj controller for sale!!! with Box/Menu/All Cables SOLD


SHOWROOM DISPLAY - PIONEER DDJ SX2 Black dj controller for sale!!! with Box/Menu/All Cables. SOLD

Serious buyer only!
RM 4,800 (LIKE NEW UNIT+Tip Top Condition)

PM ! or Whatsapp only: +6012-220 9931

Home Used - PIONEER XDJ AERO White wireless media player for sale!!! with Box/Menu/All Cables. SOLD


Home Used - PIONEER XDJ AERO White wireless media player for sale!!! with Box/Menu/All Cables. SOLD

Serious buyer only!
RM 3,800 (LIKE NEW UNIT+Tip Top Condition)

PM ! or Whatsapp only: +6012-220 9931

Thursday, July 16, 2015

Salam Hari Raya Aidilfitri, maaf zahir dan batin 2015

The Excessive Records Pro DJ Shop and Royale DJ Academy family would like to wish all Malaysians Selamat Hari Raya.


Wishing you all and family a warm and blessed Aidilfitri, showered with love and happiness, with laughters and joy !

Hope you all enjoy the festivities and have a safe and great holiday.

Selamat Hari Raya Aidilfitri, Maaf Zahir & Batin.

Thank you for all the great constant support . See you'll in our future events & our pro dj store/academy too : )



from all of us at Excessive Records Pro DJ Shop & Royale DJ Academy, Kuala Lumpur , Malaysia.

XOXO Love and Peace ...No War.

‪#‎HomeForDeejays‬, ‪#‎RoyaleDjAcademy‬, ‪#‎TheRedColourUndergroundDjShop‬,‪#‎DJ器材实力老店‬, #RoyaleDJAcademy-K.L, ‪#‎ExcessiveRecordsProDJShopSungeiWangPlaza‬, ‪#‎SungeiWangPlazaK‬.L., ‪#‎T010ThirdFloorYellowZone‬, ‪#‎ExcessiveRecordsProDjShop‬, ‪#‎RoyaleDJs‬, ‪#‎MusicAcademy‬, ‪#‎DJAcademy‬, ‪#‎MixMaster‬, ‪#‎EatSleepSpinRepeat‬, ‪#‎EDM‬, ‪#‎EDMMalaysia‬, ‪#‎DJSchool‬, ‪#‎RedBullThre3Style‬, ‪#‎PioneerDigitalDJBattle‬, ‪#‎DJCompetition‬, ‪#‎NewIntake‬, ‪#‎ProfessionalTutors‬, ‪#‎BeatConnection‬

Wednesday, July 8, 2015

Native Instruments Traktor Kontrol D2 digital dj controller

Native Instruments Traktor Kontrol D2 digital dj controller


Portable, professional Taktor performance controller, with high-res display and touch sensitive sontrols

TRAKTOR KONTROL D2 delivers portable, touch-and-see deck control designed for cutting-edge performance with TRAKTOR PRO 2. A full-colour display and touch-sensitive controls deliver responsive workflow for the uncompromising DJ.

The high-res display on the D2 brings your music to life in living colour. Browse tracks, effects, and adjust filter values directly on the hardware. Your workflow is never interrupted - visually fine-tune and set beatgrids on a running track as it is appears on the display. The D2 keeps your focus on the music - not on your laptop.

Imagine workflow as effortless as instinct. Touch-sensitive knobs and faders activate TRAKTOR views and functions on an ultra-crisp full-colour display, keeping you in the moment - and connected with your crowd. Cue, nudge, or get creative controlling effects and loop sizes - the D2's LED-guided touch strip lets you get physical.

Touch-responsive Remix Deck controls unlock the door to creativity - and your signature sound. Intuitively mix in sounds with 4+4 channel Remix Deck faders. Plus, live-capture and trigger your own samples and loops using the 8 color-coded performance pads.

Or explore mixing with Stems - an open file format coming soon that introduces multi-channel mixing with different musical elements of a track. TRAKTOR KONTROL D2 is Stem-ready - among the first DJ controllers of its kind to offer mixing possibilities with the very DNA of your music.

Pack-up and set-up in no time. TRAKTOR KONTROL D2 was designed for enhanced deck control while on the road. The compact, rugged, and lightweight build makes the D2 ideal for heavy touring - and your busy schedule.

Rubber-padded foldable feet raise the D2 to standard mixer height, or at an angle for performance comfort. And additional USB ports on the rear panel plus an included power supply splitter cable let you chain two units together quickly and easily when hustling from gig to gig.

TRAKTOR KONTROL D2 is built for seamless control of the included TRAKTOR PRO 2 - the DJ software chosen by countless professionals worldwide. Get in-depth control of your music with up to four software decks, a customizable interface, and advanced track library management.

Designed for enhanced DJ performance while on the road, TRAKTOR KONTROL D2 seamlessly fuses hardware and software for a truly multisensory experience.

The D2's touch-and-see workflow brings the industry-leading DJ software to life under your fingertips - and right before your eyes.

Access transport controls, cue points, and trigger loops, Remix Decks, or Stem Decks directly on the unit. Plug and play control of TRAKTOR PRO means no mapping or control assignments necessary.

Play with two D2s connected as one. Rear panel USB ports on the D2 allow you to chain two TRAKTOR controllers using just one of your computer's USB ports - no unnecessary connections.

TRAKTOR KONTROL D2 also includes a unique power supply splitter cable that powers both units simultaneously for minimal setup - ideal when touring from gig to gig.

Play different. TRAKTOR PRO's Effects, Remix and Stems Decks, and track browsing come to life on a full colour display triggered by touch-sensitive controls. A multi-purpose touch strip allows for pitch bending, track seeking, and vinyl scratch emulation.

Eight color-coded performance pads transform the D2 into an intuitive live performance tool. Trigger Remix Set cells, slice up and rearrange in Freeze mode, tweak your loops, or improvise using hotcues - all within view, and within reach.

Features

Portable, pro TRAKTOR performance deck
Bright, full-color display reveals pop-up displays, views, and panels
4 touch-sensitive Remix Deck faders and knobs for Remix Deck access
14 touch-sensitive knobs and faders for intuitive control over TRAKTOR software
Touch strip provides tactile control over track position, pitch bend and more
Quickly access track BPM and Key as well as FX, Filter, and Remix Deck parameters
Customizable FX unit with over 30 studio quality effects plus Macro FX
4 foldable rubber-padded feet elevate the unit to standard DJ hardware height
Chain units with included NI Power Supply splitter cable and integrated USB ports
Traktor Pro 2 software included
Specifications

Power Supply Mains Adapter
Voltage 15
Controls Rotary knobs, pads, faders, buttons, touch-strip
Connection USB
Channels 8
Inputs USB
Outputs USB
Weight 1500
Dimensions 378 x 66 x 196
System Requirements PC Windows 7 or 8 (latest Service Pack, 32/64 Bit), 2.0 GHz Intel Core i5 or equal AMD processor, 4 GB RAM, Monitor with 1024 x 768 screen resolution, USB 2.0 or higher, OpenGL version 2.1 or higher, 1.5 GB free disc space, high-speed internet connection (for installation)
System Requirements Mac Mac OS X 10.9 or 10.10 (latest update), Intel Core i5, 4 GB RAM, Monitor with 1024 x 768 screen resolution, USB 2.0 or higher, OpenGL version 2.1 or higher, 1.5 GB free disc space, high-speed internet connection (for installation)